"There is music which you have not yet heard--Beethoven's; and there
is Mozart's, as sweet as the twitter of the birds when you wake up in
your wagon in the early dawn and hear them in the bushes round you in
the veld, and as gracious as the sound of the raindrops falling on
your roof after a long drought; but do not dream that the man who made
it had any relation with the speculators whose loud talk overpowers
you with its smartness, or the gorgeously dressed women who make you
ashamed of your old black skirt. Believe me, it was made by a man
leading a life poor and simple as yours, and who lies in a nameless
grave; in poverty and loneliness the music came to him, and he made
mankind for ever richer by it; and you can hear it as well in fustian
and serge, on a wooden seat as from the king's box, with a band of
diamonds above your forehead.
"We have also what you have not yet seen, a Moses, cut in stone. When
you look at it you are conscious of strength and joy such as you have
when you look up at one of our flat-topped African mountains, with
the krantzes on its head, casting a deep blue shadow in the early
morning;--it is well to look at it; but do not believe that all the
millionaires of all the states on earth if they pooled their wealth
could ordain that one line of that great figure should have been
created: it was shaped by a man who, seeking after beauty and truth,
found his God: a man who so lived with his creation that for weeks
together he forgot to remove his boots, so that when he did so the
skin came off with them: the fine gentlemen of the boulevards and the
parks who talk of their superiority to you because they 'possess art'
(meaning that they have made money enough out of other men's labour to
buy the works of dead great men) would hardly have cared to walk down
the street with him; his rough, strong face would have befitted better
a Boer laager than a circle of modern fashion.
Public-domain text, read in full here on John Shaqi.
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