The German student will be carrying it in his breast-pocket as
he walks along the Rhine; and the French critic will be examining it
with a view to to-morrow's article; the Russian will be perusing it in
its French dress; and even the polygamous Turk, in his palace on the
Bosphorus, will be scanning its pages between sips of coffee. Within a
few years the writer may see on his table at the same moment a pile of
letters from every corner of the globe, and from men of almost every
race that commands a literature. The thoughts which have visited him
in his solitary night will have brought him into communion, closer
than any of physical contact, with men and women in every corner of
the globe; and as he handles the little pile--dating from a British
Residency at Pequ, a cattle-ranch in California, an unknown village
in Russia--he realizes perhaps with surprise, that even his own
slight thread of thought forms one of those long cords which, passing
from land to land and from man to man, are slowly but surely weaving
humanity into one. Perhaps to the modern writer alone is that "human
solidarity," transcending all bounds of nation and race, for which the
French soldier on the barricades of Paris declared it was necessary
for him to die, not merely an idea, but a solid and practical reality.
His kindred are not only those dwelling in the same house with him,
but that band of men and women all the world over of whatever race or
colour in whom his thought is germinating; for him almost alone at
the present day is the circle of nationality, which for the ordinary
man still shuts in so large a part of his interest and sympathies,
obliterated by a still wider, which knows no distinction of speech,
race, or colour--his readers are his people, and all literary peoples
his fellow-countrymen.
Public-domain text, read in full here on John Shaqi.
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