Thoughts out of Season, Part I: David Strauss, the Confessor and the Writer - Richard Wagner in Bayreuth.Nietzsche, Friedrich Wilhelm
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Thoughts out of Season, Part I: David Strauss, the Confessor and the Writer - Richard Wagner in Bayreuth.
Nietzsche, Friedrich Wilhelm
Strauss, David Friedrich, 1808-1874; Wagner, Richard, 1813-1883
hero when he prefers death to renouncing the object of his desire,
this can seldom retain the same value and energy when transferred to
everyday life: that is why art is the business of the man who is
recreating himself. The strife it reveals to us is a simplification of
life's struggle; its problems are abbreviations of the infinitely
complicated phenomena of man's actions and volitions. But from this
very fact--that it is the reflection, so to speak, of a simpler world,
a more rapid solution of the riddle of life--art derives its greatness
and indispensability. No one who suffers from life can do without this
reflection, just as no one can exist without sleep. The more difficult
the science of natural laws becomes, the more fervently we yearn for
the image of this simplification, if only for an instant; and the
greater becomes the tension between each man's general knowledge of
things and his moral and spiritual faculties. Art is with us _to
prevent the bow from snapping_.
The individual must be consecrated to something impersonal--that is
the aim of tragedy: he must forget the terrible anxiety which death
and time tend to create in him; for at any moment of his life, at any
fraction of time in the whole of his span of years, something sacred
may cross his path which will amply compensate him for all his
struggles and privations. This means having _a sense for the tragic_.
And if all mankind must perish some day--and who could question this!
--it has been given its highest aim for the future, namely, to
increase and to live in such unity that it may confront its final
extermination as a whole, with one spirit--with a common sense of the
tragic: in this one aim all the ennobling influences of man lie
locked; its complete repudiation by humanity would be the saddest blow
which the soul of the philanthropist could receive. That is how I feel
in the matter! There is but one hope and guarantee for the future of
man, and that is _that his sense for the tragic may not die out_. If he
ever completely lost it, an agonised cry, the like of which has never
been heard, would have to be raised all over the world; for there is
no more blessed joy than that which consists in knowing what we
know--how tragic thought was born again on earth. For this joy is
thoroughly impersonal and general: it is the wild rejoicing of
humanity, anent the hidden relationship and progress of all that is
human.
V.
Public-domain text, read in full here on John Shaqi.
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