Three Courses and a Dessert: Comprising Three Sets of Tales, West Country, Irish, and Legal; and a MelangeClarke, William
General
Three Courses and a Dessert: Comprising Three Sets of Tales, West Country, Irish, and Legal; and a Melange
Clarke, William
Ireland -- Social life and customs -- Fiction; Legal stories, English; West Country (England) -- Social life and customs -- Fiction
“Don't say that, Biddy! or I'll go get a knife and kill meeself. Tell
her, I'm here, and that I can't come in 'till she forgives me for all's
said and done:--and bring me something to comfort me, for I hav'n't
heart to look in the face of her.”
“Is it comfort for yourself, you're talking of?--and your mother
wailing and howling night and day, as she has been, for the sight of her
llanuv!--What has she done to have such a one as yourself, Johnny, no
one can tell. Down on your knees, and crawl that way up to her, there
where she lies on her death-bed; and don't be thinking of sending me
as a go-between; or, may be, your mother may die before you get her
blessing.”
“Oh! Biddy, Biddy! you're destroying me--root and branch! Sure, she
can't be so bad as that!”
“Come in and see,” says Biddy, taking his cold hand in her's, and
leading him at once right into the house, and up to the bedside of his
mother, and shewing her to him, propped up as she was, and raving with
the little speech that was left her, for her darling, and her llanuv,
and her white-headed boy, and the life of her heart, and all the dear
names she could call that bad son, who had brought sorrow and misery
upon her. And they say it was awful to hear the shriek of joy that came
from her, and how she leaped out of the women's arms that was houlding
her, when somebody put aside the long grey hair, which in her grief
she'd pulled over her face, and shewed her Johnny himself standing
by the bed-side, the image of woe and remorse. There wasn't a hair's
breadth of his face that she didn't kiss; and though a little before,
when he stood like a statue, looking at her as he did, Johnny was too
much choking with grief to be able to utter a word, yet, when he'd
mingled the scalding drops that burst from his eyes, with the cold tears
on his mother's cheek, he found himself restored; and drawing back from
her embrace, he had courage enough to look up at her: but he couldn't
bear the sight for a moment, and hid his face on her breast again,
exclaiming,--“Oh! mother, mother! and is it this way I find you? Why
didn't I die before I saw this night?”
“Cheer up, my darling!” said the ould woman, “for I'll now braathe mee
last in peace, that you're here to close mee eyes.--Oh! that hand,
Johnny!--put that hand close to mee heart!--it's often I felt it there
before now,--long, long ago, Johnny, whin it was young and innocent,
and I'd no comfort on earth--widow as I was--but the sight of mee baby
laughing up in mee eyes;--though the look of you then even brought the
tears into them, you were so like him that was taken from me before you
were born.”
“I've been a bad son to you, mother,” said Johnny; “it's now I feel it.”
“Take your mother's blessing and forgiveness, my child; and mee last
prayer will be, that you'll get as free pardon here and hereafter for
all things, as your poor ould dying mother now gives you.”
Public-domain text, read in full here on John Shaqi.
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