It was in these years that I met Margaret and Lorin Deland, to whom I
was drawn from the first, by a strong sympathy. The Delands were then
living at Number 112 Mt. Vernon Street, a small house they had fitted up
picturesquely, whose chief feature was a diminutive living room and an
immense fireplace. Here, whenever there was the slightest excuse, a fire
of enormous birch
[Illustration: HENRY MARION HOWE, SC.D., LL.D.
CHEVALIER DE LA LÉGION D’HONNEUR, KNIGHT OF THE ORDER OF ST. STANISLAS
PROFESSOR OF METALLURGY IN COLUMBIA UNIVERSITY
From the portrait by Font]
logs blazed on the hearth. Phillips Brooks, who was one of their
intimates, spent many evenings sitting over the wood fire. As the
Delands’ fortunes improved, owing to Lorin’s original and brilliant work
in what was then the new field of advertising and business counsel, they
bought a more expensive house, Number 76 Mt. Vernon Street. When they
moved, the ashes from the big fireplace at Number 112 were carefully
collected and transported to the new house. The strong resemblance
between Margaret and myself was often noticed. People said she looked
like another of the Howe sisters. The resemblance was far deeper than
this, for from the beginning of our acquaintance, I felt that she was
like one of ourselves. Margaret, who did not remember her own mother,
had a deep sympathy for mine. She often signed her letters, “Your
abandoned Spring-off,” and declared that she was in reality my mother’s
daughter, and had been abandoned in infancy on the doorsteps of her
excellent Aunt and Uncle Campbell, the only parents she ever knew.
I have had for many years the happiness of being one of Margaret’s
literary advisers. This was a new and interesting experience, for it is
the man or woman behind every book that gives its deepest interest; that
is the reason intimate friends are bored by each other’s books. When you
know the answer to the riddle, the riddle no longer exists! In my family
we all wrote books inevitably, and while we tried to be patient with
each other, we were rather tried by each other’s work. I rarely knew
what my sisters, my mother, or Crawford were writing, and more rarely
read their books when they were published. With Margaret the case was
different. Here were deep, unsuspected springs of prejudice and
tradition. Southern and Middle States instincts--her people had been
slave owners--unlike any I had known. So I could not trace the origin of
every character and incident in her writings, as I thought I could in
the family books!
How many times I heard “Helena Ritchie”, “The Iron Woman”, and “The
Rising Tide” I should not like to say, but I know the characters in
these books far better than any of my own drawing. Mrs. Deland wrote all
her books in longhand, scorning the help of typewriter or stenographer.
Dr. Lavender remains for me her most successful character. I have a
theory about him that always amused her.
Public-domain text, read in full here on John Shaqi.
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