Bertha Honoré Palmer was handsome, elegant, and distinguished, but so
were many other women of her set: what made her preëminent among them
was a rare gift of leadership combined with great executive ability.
After the terrible fire of 1871, her husband, like other prominent
business men, found himself a heavy loser from the disaster. It was at
this time that the property which later became the Lake Shore Drive came
into the market. When a great slice of this land was offered to Mr.
Palmer, it seemed a hopeless proposition and he decided to turn it down.
His wife, however, persuaded him to make the investment; she had the
vision to foresee that what was then mere waste land on the borders of
Lake Michigan was destined to become the fashionable quarter of the
city. Mr. Palmer, who was much older than his wife, made a will that for
chivalry is unsurpassed. After leaving the larger part of his immense
fortune to his wife, he added a clause setting aside a certain sum of
money, the income from which should be paid to Mrs. Palmer’s husband, in
case she should marry again.
Mrs. Leiter and her handsome daughters had already given up Chicago for
Washington. They were sometimes at their country place at Geneva Lake,
where we spent a pleasant week-end. I studied Mrs. Leiter’s curious use
of English with some care and came to the conclusion that she was word
blind as some people are color blind.
“Mr. A. is a very deep-seated man,” she once said to me of a common
acquaintance, repeating the phrase earnestly, “a very deep-seated man”,
shaking her handsome head and dismissing Mr. A. in an imperial manner. I
never quite knew what she meant to imply about poor Mr. A.
One evening at the Auditorium Theater a friend brought Eugene Field into
our box and introduced him to us. We had a brief chat between the acts.
What had struck me first about him was his closely cropped, almost
shaven head, so unlike other poets I had known. When he had gone, our
host asked:
“What do you think of Eugene Field?”
“Doesn’t he look rather like a convict?” I laughed, meaning to be funny.
As we were leaving the theater, Mr. Field came up to me in the lobby and
said cheerily:
“I hear you say I look like a convict. Remember I am not a bird of
plumage, but a bird of song. As for you,” with a low bow, “you look like
the daughter of the ‘Battle Hymn of the Republic.’”
Public-domain text, read in full here on John Shaqi.
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