At that time James was living at Number 34 De Vere Gardens. He was
beginning to weary of London life and casting about as to how he might
escape its exactions. We had many pleasant excursions together; he was a
famous sight-seer and knew his London well. I always felt in him a
certain defenselessness in the matter of guarding his own time. He was
forever being called upon to write introductions to other people’s books
and to listen to other writers’ manuscripts. He was over generous in
these things and I often felt a righteous indignation against the swarm
of less important authors, Mrs. Humphry Ward among them, who somehow
managed to steal his only possession, his time, and impose upon his good
nature.
We went much to the theater. While the English stage at this time could
not be seriously compared to the French or Italian, it was far better
than the American, and there were some good companies in London. Charles
Wyndham, Mr. and Mrs. Kendal, Beerbohm Tree, John Hare, and
Forbes-Robertson were all acting. At the Lyceum Ellen Terry and Henry
Irving, both at the height of their powers, were playing Shakespeare. We
saw magnificent productions of the “Merchant of Venice”, “Henry the
Eighth”, and “Hamlet.” Witty Mary Abbott told us of a cockney comedian’s
criticism of Sir Henry.
“Look at ‘Enery Hirving! Look at ’is ’Amlet! Asthmatic, I grant you, but
werry wulgar. Give ’im a song and dance and where is ’e?”
Not long after seeing Ellen Terry’s entrancing acting of Beatrice, J.
and I met her former husband, the great artist George F. Watts. My
diary gives an account of our visit, but does not mention that I was
haunted throughout by Miss Terry’s voice and face. I could not imagine
her at home in Watts’ quiet, well-ordered house. They seemed as far
apart as the poles, and yet she once reigned here supreme. There’s a
legend that during their brief married life Watts often gave large stag
dinners where his child wife was not expected to appear. This was little
to her liking. One evening, when a grave company of distinguished men
were seated at the board, the lovely madcap appeared suddenly from under
the table, where she had been hiding, dressed as Cupid in silk tights
and wings, sprang upon the table, and ran its length before the
astonished guests. “_Se non è vero, è ben trovato._”
Public-domain text, read in full here on John Shaqi.
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