Yesterday Colonel and Mrs. John Hay gave a pleasant reception at
their hotel, where I met the Bishop Potters, Mrs. Edward ditto and
Stillman’s tall wife and daughters. Mrs. S. (Marie Spartali)
interests me more than any person I have met so far. A superb
romantic creature, a hard worker, a good painter, one of the last
of the Pre-Raphaelites. I remember your telling me of her when she
was the rage of London, the idol of that group. They all painted
her,--Morris, Rossetti, Burne-Jones. The last portrait is by Du
Maurier. We are convinced she is the original of the Duchess in
“Peter Ibbetson.” She has a thousand little tricks he describes,
the likeness is too strong to be mistaken.--Cold to-day,
_tramontana_ blows and I hug my open fire. I wonder the Romans were
ever Christianized; the sun is so all-important for health,
happiness, life itself, that it seems strange they could have
turned from the altars of Apollo.
* * * * *
Rome, March 5, 1894. At two o’clock to-day Mrs. Potter Palmer and I
drove into the courtyard of the Quirinal Palace and got out at the
glass doors under the clock. The porter, an immense scarlet-coated
person with cocked hat and a long cane of office, received us with
ceremonious bows and scrapes.
“Have their Excellencies been summoned for an audience with her
Majesty the Queen?”
We “allowed” that we had, whereupon with even deeper salaams he
ushered us up a winding stairway with the tiniest steps I ever saw,
to the _piano nobile_. Here we passed through several magnificent
apartments filled with flunkies in scarlet liveries and silk
stockings to an anteroom. The walls and furniture were covered with
blue satin brocade, there were many flowering plants, superb
hangings and a few good old portraits. Here we found the Marchesa
Villamarina, lady in waiting to the Queen _in perpetua_, and the
lady in waiting for the month, both of whom wore on the left
shoulder a diamond M (the Queen’s initial) on a blue ribbon like an
order. As we entered, a little old lady very plainly dressed passed
into the inner room.
“That is Mme. ----, the widow of a distinguished general,” the
Marchesa said, “your turn is next.”
When the old lady came out we were announced and ushered into the
reception room. We courtesied at the entrance, halfway across the
room, and again as we stood before the Queen, who received us
standing. She was dressed in black velvet embroidered with jet, and
wore one string of gigantic pearls. Her earrings, immense,
perfectly round solitaire pearls, were in shape and size the twins
of Mrs. Palmer’s; Mrs. P.’s were the best I thought.
Public-domain text, read in full here on John Shaqi.
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