August 14, 1900. The packers come to-morrow at nine for the big
pictures. They will be shipped August 21st on the Anchor Line
steamer _Bolivia_ and will be three weeks reaching Boston. To dine
with the Dutch Secretary, de Stirum, who has taken John Loudon’s
place. Met the Danish minister who told me that there really are
grounds for hoping the Legations (at Pekin) are safe. If this is
true, the newspaper correspondents who sent the despatches with the
horrid details of the supposed murders ought to have some of the
tortures they invented practiced on themselves. Mme. de Lucca (she
was Miss Kennedy of New Orleans) the mother of one of the Italian
secretaries at Pekin, met me in the street the other day. I suppose
my face showed the sympathy I felt for her, as the morning papers
stated that all the people at the Legations had been killed.
“Why do you look at me like that?” she asked. “Don’t you suppose I
should know if my son were dead? He is perfectly well and safe!”
* * * * *
August 20, 1900. J. decides he wants to go to Oberammergau for the
Passion Play. We got right to work at closing up, and shall work
like Indians till the last minute. The real hot weather began about
mid-July and has kept up steadily. No terrible days like those in
Seville where the mercury this month goes up to 110, but a dead
level of 85, rising to 90. Nights always cool with a sea breeze
coming up about ten o’clock. We dine on the terrace; at night the
loss of the flowers does not trouble us. There is always a jug of
iced lemonade for callers; as our terrace is voted the coolest
place in Rome, we are popular and keep late hours, making up for
it next day by the inevitable siesta from one to three. In the
shadow of St. Peter’s Dome we watch the constellations march across
the sky and think of you at home, looking at the same old
Cassiopeia from the piazza at Oak Glen.
For many years I kept up a desultory correspondence with Henry James; we
wrote not more than a few times a year and only when we had something
particular to say. I ought to have kept his letters with greater care,
but in my wandering existence all papers became _anathema maranatha_.
From the few that have survived I chose the following, written after
receiving some rather poor photographs of J.’s “Triumph of Time”, which
he had watched with such keen interest as it slowly grew into a reality
in the Roman studio. It was now in its place on the ceiling of the
Children’s Room in the Boston Public Library.
Lamb House,
Rye.
August 2d, 1901.
My dear Maud Elliott.
Public-domain text, read in full here on John Shaqi.
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