Among those who rallied to our fellowship were several men and women
well acquainted with the history of the old town; with their help I
began to hunt up the art traditions of Newport. These proved
astonishingly interesting to us all, and we spent much time in tracing
out what was to be learned of the earlier artists who had lived here.
Their names are legion, the best known perhaps being Gilbert Stuart,
Edward Malbone, the painter of those exquisite miniatures treasured in
many old American families, and John Smibert, the Edinborough carriage
painter, who came to Newport in the train of Bishop Berkeley and made
the famous portrait of Berkeley and his family at Yale University.
From the beginning, the founders of the new association were filled with
enthusiasm and worked for it early and late, in season and out. It will
be seen from the following extracts from my journal how it grew to fill
an ever larger and larger place in the lives of my husband and myself,
and that it always had a certain breadth of character, from having from
the first been identified with matters of national and international
significance.
January 7, 1913. To the William Sargeant Kendalls’, where we
discussed plans and laid out an excellent programme of work for the
Art Association. We must not abandon this enterprise into which J.
and I have already built so much of our time and energies. As I
work more in these matters of public service, I see that all human
undertakings are merely different uses of the stone from the same
quarry. Institution building is perfectly fascinating--you can
throw all of yourself into it, make it a means of self-expression
and yet get rid of the sense of ego that underlies all mere
personal work. We are to have a course of lectures, I to open it
with a paper on “The Art Traditions of Newport.”
* * * * *
January 31, 1913. J. busy about his Red Cross picture show and sale
for the Balkan Relief Fund at the Art Association. He has shown
great energy and persistence and the artists have rallied
generously, as they always do! He has secured paintings by
twenty-five of the leading Rhode Island painters. Kazanjian, the
Armenian, frames the pictures as his gift. A Greek resident, Mr.
Cascambas, has contributed some of his excellent confectionery for
the tea, and all the Greeks have shown a fine spirit. One tall
fellow said to J., “I have often taken flowers to Dr. Howe’s grave
at Mount Auburn!” I have not been allowed to work at this venture
at all, J. preferring to put it through himself, with the help of
an excellent committee, Doctor Terry, Doctor Brackett, and others.
William Safford Jones issued a stirring call, beginning with the
words:
“Come over into Macedonia and help us!”
* * * * *
Public-domain text, read in full here on John Shaqi.
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