Terry and her family, 166-168; death of King Victor Emmanuel, 168; Garibaldi, 168-169; in elaborate tableaux, 170-173; in Holland, Belgium, Brittany and Switzerland, 174-175; a trip to Egypt, 176-184; Cairo, 176-177; ascent of the great pyramid, 178; and the Khedive’s royal wives, 179-181; the ball at the palace, 181-183; in Palestine, 184-186; Jerusalem, Bethlehem and the Garden of Gethsemane, 185-186; Constantinople, 188-189; the secret of the mummy, 189-190; in Greece, 190-193; father’s memory revered by Cretans, 190-191; the Schliemanns and their excavations, 191-192; souvenirs of the Grecian trip, 192; art not her _métier_, 194; first payment for literary work, 194; regular contributor to newspapers and magazines, 195; Saint-Gaudens and the Shaw Memorial, 195; home life, 195-196; and Marion Crawford, 195-197; at Oak Glen, 197; Crawford and the writing of “Mr. Isaacs”, 197; first telephone message at Oak Glen, 198; in new Beacon Street home, 198-199; and Crawford’s success as a novelist, 199; her brother Henry Marion Howe, 199; calls on Longfellow, 199-200; first book published anonymously, 200; a summer in California, 200; writes “San Rosario Ranch”, 200; friendship with the Delands, 200-203; six months in New Orleans, 204-216; the Cotton Centennial Exposition, 204-206, 209, 211, 215; round of social gaiety, 206-209; the Mardi Gras, 206-207; meeting with Henry Watterson, 209-210; some literary lights, 214; and George W. Cable, 214-215; writes “Atlanta in the South”, 216; death of her sister Julia and Uncle Sam Ward, 216; marriage, 216; in Chicago, 217-222; course of lectures by, 218; meets Eugene Field, 220; editor of book on women’s work at Columbian Exposition, 222; return to Boston, 222; and Oliver Wendell Holmes, 223-224; Booth and Modjeska in “The Merchant of Venice”, 224-225; a play for Richard Mansfield, 236; and William Dean Howells, 226; on conditions in pauper asylums, 227; Helen Keller and the Perkins Institution, 228; work on story of education of Laura Bridgman, 228; death of her brother-in-law, 229-230; mother preaches at the Church of the Disciples, 230-231; funeral of Francis Parkman, 231; again in London, 232-247; hospitality of English friends, 234-236; and Henry James, 236-237; the theater in London, 237; George Watts the artist, 237-238; Watts’ pictures and methods of work, 238-240; Watts’ equestrian statue “Physical Energy”, 240-241; and Henry M. Stanley, 241-242; and the work of the Salvation Army, 242-247; lecture on “With Booth in Darkest England”, 247; in Spain and Morocco, 248-255; experiences in Tangier, 249-251; and the Sharifa, 251-252; beauty and charm of Granada, 253; Andalusia, 253-254; a week of romance, 254-255; artist life in Rome, 256-270; fascination of the city, 257-258; and Marion Crawford, 258; first home in Rome, 258-259;