Three gringos in Venezuela and Central AmericaDavis, Richard Harding
General
Three gringos in Venezuela and Central America
Davis, Richard Harding
Central America -- Description and travel; Louisiana State Lottery Company; Venezuela -- Description and travel
Some one asked why the artist had stripped from the breast of Bolivar
all of the other medals and stars that had been given him by
different countries in the hour of his triumph, and the artist answered
that he had done as his patron and the friend of Bolivar thought would
best please his hero. And ever after that it was decreed that every
bust or statue or engraving of the Liberator should show him with this
portrait of Washington hanging by a ribbon about his neck; and so you
will see in the National Portrait Gallery that while the coats of his
lieutenants glitter with orders and crosses, Bolivar’s bears this
medal only. It was his greatest pride, and he considered it his chief
glory. And the manner of its bestowal was curiously appropriate. In
1824 General Lafayette returned to this country as the guest of the
nation, and a banquet was given to him by Congress, at which the memory
of Washington and the deeds of his French lieutenant were honored
again and again. It was while the enthusiasm and rejoicings of this
celebration were at their height that Henry Clay rose in his place and
asked the six hundred Americans before him to remember that while they
were enjoying the benefits of free institutions founded by the bravery
and patriotism of their fore-fathers, their cousins and neighbors in
the southern continent were struggling to obtain that same independence.
[Illustration: SIMON BOLIVAR]
“No nation, no generous Lafayette,” he cried, “has come to their
aid; alone and without help they have sustained their glorious cause,
trusting to its justice, and with the assistance only of their bravery,
their deserts, and their Andes--and one man, Simon Bolivar, the
Washington of South America.”
[Illustration: VIEW OF LA GUAYRA]
And you can imagine the six hundred Americans jumping to their feet
and cheering the name of the young soldier, and the French marquis
eagerly asking that he might be the one to send him some token of their
sympathy and admiration. Lafayette forwarded the portrait of Washington
to Bolivar, who valued it so highly that the people who loved him
valued the man he worshipped; and to-day you will see in Caracas
streets and squares and houses named after Washington, and portraits
of Washington crossing the Delaware, and Washington on horseback, and
Washington at Mount Vernon, hanging in almost every shop and café in
the capital. And the next time you ride in Central Park you might turn
your bicycle, or tell the man on the box to turn the horses, into that
little curtain of trees, and around the hill where the odd-looking
statue stands, and see if you cannot feel some sort of sympathy and pay
some tribute to this young man who loved like a hero, and who fought
like a hero, with the fierceness of the tropical sun above him, and
whose inspiration was the calm, grave parent of your own country.
Public-domain text, read in full here on John Shaqi.
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