She threw herself about in bed as if she were burning, threw the
coverlet on the floor, stretched her arms out, and stared in front
of her. Her mouth was half open, she rattled in her throat. Lunev
bent quickly over her, he was afraid she was dying. Then, relieved
by hearing her breathe, he covered her up again, crawled back to the
window, leaned his face against the bars and looked over at Gromov's
house. There they were still singing, now one voice, now two, now
several in chorus. Music was followed by laughter. Past the windows
flitted ladies dressed in white or pink or blue. He listened to the
music and marvelled how these men could sing long-drawn, melancholy
songs of the Volga and of funerals and of desert lands, and laugh
at the end of every song as though it were all nothing, as if they
had sung of indifferent things. Is it possible that they find sorrow
amusing? But every time that Masha attracted his attention, he looked
at her stupidly and wondered what was to become of her. Suppose Tatiana
came in and saw her--what was he to do with Masha? He felt as though
caught in a mist; his heart was weighed down with the songs and Masha's
groans, and his own heavy, disconnected thoughts. When he felt sleepy
he crawled from under the window-ledge, lay down on the floor by the
bed and put his overcoat under his head. He dreamed that Masha was dead
and lying on the ground in a big shed, and round about were standing
ladies, dressed in white and pink and blue, and singing songs over her;
and when they sang mournful songs they all laughed, and when the songs
were cheerful they wept bitterly, and nodded their heads sadly and
wiped away their tears with white pocket-handkerchiefs. In the shed it
was dark and damp, and in the corner stood Savel the smith, hammering
at an iron railing and striking noisy blows on the red-hot bars. On
the roof of the shed someone went round about and cried, "Ilya. Il--ya."
But he lay in the shed, bound somehow fast, he could hardly turn, he
could not speak.
XXII.
"Ilya, get up please."
He opened his eyes and recognised Pavel Gratschev. Pavel was sitting on
a chair, kicking Ilya's legs gently. The bright sunlight streamed into
the room and shone on the samovar boiling on the table; Lunev blinked,
dazzled.
"Listen, Ilya."
Pavel's voice was hoarse, as though after heavy drinking, his face was
yellow, his hair disordered. Lunev looked at him, then sprung up from
the floor and cried half aloud:
"What?"
"She's caught," said Pavel, and shook his head.
"What? Where is she?" asked Ilya, bending over him and catching him by
the shoulder. Gratschev swayed and said miserably:
"They've put her in prison, yesterday morning, they say; they brought
her to the prison."
"What for?" asked Ilya in a loud whisper. Masha waked up, shuddered at
the sight of Pavel, and stared at him terrified. From the door into the
shop Gavrik looked in, his lips compressed in disapproval.
Public-domain text, read in full here on John Shaqi.
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