Or maybe the "Britain's Best" or the "Camberwell Eureka" stands leaning against a gate; maybe it is tired. It has worked hard all the afternoon, carrying these young people. Mercifully minded, they have dismounted, to give the machine a rest. They sit upon the grass beneath the shade of graceful boughs; it is long and dry grass. A stream flows by their feet. All is rest and peace. That is ever the idea the cycle poster artist sets himself to convey--rest and peace. But I am wrong in saying that no cyclist, according to the poster, ever works. Now I come to reflect, I have seen posters representing gentlemen on cycles working very hard--over-working themselves, one might almost say. They are thin and haggard with the toil, the perspiration stands upon their brow in beads; you feel that if there is another hill beyond the poster they must either get off or die. But this is the result of their own folly. This happens because they will persist in riding a machine of an inferior make. Were they riding a "Putney Popular" or "Battersea Bounder," such as the sensible young man in the centre of the poster rides, then all this unnecessary labour would be saved to them. Then all required of them would be, as in gratitude bound, to look happy; perhaps, occasionally to back-pedal a little when the machine in its youthful buoyancy loses its head for a moment and dashes on too swiftly. You tired young men, sitting dejectedly on milestones, too spent to heed the steady rain that soaks you through; you weary maidens, with the straight, damp hair, anxious about the time, longing to swear, not knowing how; you stout bald men, vanishing visibly as you pant and grunt along the endless road; you purple, dejected matrons, plying with pain the slow unwilling wheel; why did you not see to it that you bought a "Britain's Best" or a "Camberwell Eureka"? Why are these bicycles of inferior make so prevalent throughout the land? Or is it with bicycling as with all other things: does Life at no point realise the Poster? The one thing in Germany that never fails to charm and fascinate me is the German dog. In England one grows tired of the old breeds, one knows them all so well: the mastiff, the plum-pudding dog, the terrier (black, white or rough-haired, as the case may be, but always quarrelsome), the collie, the bulldog; never anything new. Now in Germany you get variety. You come across dogs the like of which you have never seen before: that until you hear them bark you do not know are dogs. It is all so fresh, so interesting. George stopped a dog in Sigmaringen and drew our attention to it. It suggested a cross between a codfish and a poodle. I would not like to be positive it was _not_ a cross between a codfish and a poodle. Harris tried to photograph it, but it ran up a fence and disappeared through some bushes.