Italian drama -- Translations into English; Pirandello, Luigi, 1867-1936 -- Translations into English
LAUDISI (_motions to them to come closer to him; then in a
low voice and in the same mysterious manner, and stressing
each syllable_). The certificate!--Of the second marriage!
SIGNORA CINI (_starting back with astonishment_). What?
SIGNORA NENNI (_Likewise taken aback_). What did you say?
The second marriage?
SIGNORA CINI. Well, in that case he was _right_.
LAUDISI. Oh, documents, ladies, documents! This certificate
of the second marriage, so it seems, talks as plain as day.
SIGNORA NENNI. Well, then, _she_ is the lunatic.
LAUDISI. Right you are! She it is!
SIGNORA CINI. But I thought you said....
LAUDISI. Yes, I did say ... but this certificate of the
second marriage may very well be, as Signora Frola said, a
fictitious document, gotten up through the influence of
Ponza's doctors and friends to pamper him in the notion that
his wife was not his first wife, but another woman.
SIGNORA CINI. But it's a public document. You mean to say a
public document can be a fraud?
LAUDISI. I mean to say--well, it has just the value that
each of you chooses to give it. For instance, one could find
somewhere, possibly, those letters that Signora Frola said
she gets from her daughter, who lets them down in the basket
in the courtyard. There are such letters, aren't there?
SIGNORA CINI. Yes, of course!
LAUDISI. They are documents, aren't they? Aren't letters
documents? But it all depends on how you read them. Here
comes Ponza, and he says they are just made up to pamper his
mother-in-law in her obsession....
SIGNORA CINI. Oh, dear, dear, so then we're never sure about
anything?
LAUDISI. Never sure about anything? Why not at all, not at
all! Let's be exact. We are sure of many things, aren't we?
How many days are there in the week? Seven--Sunday, Monday,
Tuesday, Wednesday.... How many months in the year are
there? Twelve: January, February, March....
SIGNORA CINI. Oh, I see, you're just joking! You're just
joking! (_Dina appears, breathless, in the doorway, at the
rear_).
DINA. Oh, Nunky, won't you please.... (_She stops at the
sight of Signora Cini_). Oh, Signora Cini, you here?
SIGNORA CINI. Why, I just came to make a call!...
LAUDISI. ... with Signora Cenni.
SIGNORA NENNI. No, my name is Nenni.
LAUDISI. Oh yes, pardon me! She was anxious to make Signora
Frola's acquaintance....
SIGNORA NENNI. Why, not at all!
SIGNORA CINI. He has just been making fun of us! You ought
to see what fools he made of us!
Public-domain text, read in full here on John Shaqi.
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