Italian drama -- Translations into English; Pirandello, Luigi, 1867-1936 -- Translations into English
DOCTOR. He was alluding to the costumes we had slipped
on.... Your cloak (_indicating the Marchioness_), our
Benedictine habits.... But all this is childish!
DONNA MATILDA (_turning quickly, indignant_). Childish? What
do you mean, doctor?
DOCTOR. From one point of view, it is--I beg you to let me
say so, Marchioness! Yet, on the other hand, it is much more
complicated than you can imagine.
DONNA MATILDA. To me, on the contrary, it is perfectly
clear!
DOCTOR (_with a smile of pity of the competent person
towards those who do not understand_). We must take into
account the peculiar psychology of madmen; which, you must
know, enables us to be certain that they observe things and
can, for instance, easily detect people who are disguised;
can in fact recognize the disguise and yet believe in it;
just as children do, for whom disguise is both play and
reality. That is why I used the word childish. But the thing
is extremely complicated, inasmuch as he must be perfectly
aware of being an image to himself and for himself--that
image there, in fact (_alluding to the portrait in the
throne room, and pointing to the left_)!
BELCREDI. That's what he said!
DOCTOR. Very well then--An image before which other images,
ours, have appeared: understand? Now he, in his acute and
perfectly lucid delirium, was able to detect at once a
difference between his image and ours: that is, he saw that
ours were make-believes. So he suspected us; because all
madmen are armed with a special diffidence. But that's all
there is to it! Our make-believe, built up all round his,
did not seem pitiful to him. While his seemed all the more
tragic to us, in that he, as if in
defiance--understand?--and induced by his suspicion, wanted
to show us up merely as a joke. That was also partly the
case with him, in coming before us with painted cheeks and
hair, and saying he had done it on purpose for a jest.
DONNA MATILDA (_impatiently_). No, it's not that, doctor.
It's not like that! It's not like that!
DOCTOR. Why isn't it, may I ask?
DONNA MATILDA (_with decision but trembling_). I am
perfectly certain he recognized me!
DOCTOR. It's not possible ... it's not possible!
BELCREDI (_at the same time_). Of course not!
DONNA MATILDA (_more than ever determined, almost
convulsively_). I tell you, he recognized me! When he came
close up to speak to me--looking in my eyes, right into my
eyes--he recognized me!
BELCREDI. But he was talking of your daughter!
DONNA MATILDA. That's not true! He was talking of me! Of me!
BELCREDI. Yes, perhaps, when he said....
Public-domain text, read in full here on John Shaqi.
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