Italian drama -- Translations into English; Pirandello, Luigi, 1867-1936 -- Translations into English
DOCTOR. Let's wait patiently. Anyhow, it will soon be over,
and it has to be in the evening.... It will only be the
matter of a moment! If we can succeed in rousing him, as I
was saying, and in breaking at one go the threads--already
slack--which still bind him to this fiction of his, giving
him back what he himself asks for--you remember, he said:
"one cannot always be twenty-six years old, madam!" if we
can give him freedom from this torment, which even _he_
feels is a torment, then if he is able to recover at one
bound the sensation of the distance of time....
BELCREDI (_quickly_). He'll be cured! (_then emphatically
with irony_). We'll pull him out of it all!
DOCTOR. Yes, we may hope to set him going again, like a
watch which has stopped at a certain hour ... just as if we
had our watches in our hands and were waiting for that other
watch to go again.--A shake--so--and let's hope it'll tell
the time again after its long stop. (_At this point the
Marquis Charles Di Nolli enters from the principal
entrance_).
DONNA MATILDA. Oh, Charles!... And Frida? Where is she?
DI NOLLI. She'll be here in a moment.
DOCTOR. Has the motor arrived?
DI NOLLI. Yes.
DONNA MATILDA. Yes? Has the dress come?
DI NOLLI. It's been here some time.
DOCTOR. Good! Good!
DONNA MATILDA (_trembling_). Where is she? Where's Frida?
DI NOLLI (_shrugging his shoulders and smiling sadly, like
one lending himself unwillingly to an untimely joke_).
You'll see, you'll see!... (_pointing towards the hall_).
Here she is!... (_Berthold appears at the threshold of the
hall, and announces with solemnity_).
BERTHOLD. Her Highness the Countess Matilda of Canossa!
(_Frida enters, magnificent and beautiful, arrayed in the
robes of her mother as "Countess Matilda of Tuscany," so
that she is a living copy of the portrait in the throne
room_).
FRIDA (_passing Berthold, who is bowing, says to him with
disdain_). Of Tuscany, of Tuscany! Canossa is just one of my
castles!
BELCREDI (_in admiration_). Look! Look! She seems another
person....
DONNA MATILDA. One would say it were I! Look!--Why, Frida,
look! She's exactly my portrait, alive!
DOCTOR. Yes, yes.... Perfect! Perfect! The portrait, to the
life.
BELCREDI. Yes, there's no question about it. She _is_ the
portrait! Magnificent!
FRIDA. Don't make me laugh, or I shall burst! I say, mother,
what a tiny waist you had? I had to squeeze so to get into
this!
DONNA MATILDA (_arranging her dress a little_). Wait!...
Keep still!... These pleats ... is it really so tight?
FRIDA. I'm suffocating! I implore you, to be quick!...
DOCTOR. But we must wait till it's evening!
FRIDA. No, no, I can't hold out till evening!
Public-domain text, read in full here on John Shaqi.
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