ISOBEL. You will be ruined. (_She takes out her purse._)
BLAYDS (_childishly_). Have you got one for me too?
ISOBEL (_taking out two_). One for you and one for me. Here you are,
Mr. Royce.
ROYCE. Thank you. Both good ones? Right.
BLAYDS. George Meredith told me this. Are you fond of cricket,
Mr. Royce?
ROYCE. Yes, very.
BLAYDS. So was Meredith, so was I.... A young boy playing for his
school. The important match of the year; he gets his colours only if
he plays—you understand? Just before the game began, he was sitting
in one of those—what do they call them?—deck chairs, when it
collapsed, his hand between the hinges. Three crushed fingers; no
chance of playing; no colours. At that age a tragedy; it seems that
one’s whole life is over. You understand?
ROYCE. Yes. Oh, very well.
BLAYDS. But if once the match begins with him, he has his colours,
whatever happens afterwards. So he decides to say nothing about the
fingers. He keeps his hand in his pocket; nobody has seen the
accident, nobody guesses. His side is in first. He watches—his hand
is in his pocket. When his turn comes to bat, he forces a glove over
the crushed fingers and goes to the wickets. He makes nothing—well,
that doesn’t matter; he is the wicket-keeper and has gone in last. But
he knows now that he can never take his place in the field; and he
knows, too, what an unfair thing he has done to his school to let them
start their game with a cripple. It is impossible now to confess....
So, in between the innings, he arranges another accident with his
chair, and falls back on it, with his fingers—his already crushed
fingers this time—in the hinges. So nobody ever knew. Not until he
was a man, and it all seemed very little and far away.
ISOBEL. What a horrible story! Give him the money, Mr. Royce.
BLAYDS. Keep it for me, Isobel. (_ISOBEL takes it._)
ROYCE. Is it true, sir?
BLAYDS. So Meredith said. He told me.
ROYCE. Lord, what pluck! I think I should have forgiven him for that.
BLAYDS. Yes, an unfair thing to do; but having done it, he carried it
off in the grand manner.
ISOBEL. To save himself.
BLAYDS. Well, well. But he had qualities. Don’t you think so,
Mr. Royce?
ROYCE. I do indeed.
(_There is a silence. The excitement of the occasion has died
away, and you can almost see BLAYDS getting older._)
BLAYDS (_after a pause_). I could tell you another story, Isobel,
which you don’t know.... Of another boy who carried it off.
ISOBEL. Not now, dear. You mustn’t tire yourself.
BLAYDS (_a very old man suddenly_). No, not now. But I shall tell you
one day. Yes, I shall have to tell you.... I shall have to tell you.
ISOBEL (_quietly, to ROYCE_). I think perhaps——
ROYCE (_getting up_). It is very kind of you to have seen me, sir. I
mustn’t let you get tired of me.
BLAYDS (_very tired_). Good-bye, Mr. Royce. He liked the 1863 volume,
Isobel.
ISOBEL. Yes, Father.
ROYCE. Good-bye, sir, and thank you; I shall always remember.
Public-domain text, read in full here on John Shaqi.
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