WILLIAM (_as her meaning slowly comes to him_). Isobel, what are you
saying?
MARION. I don’t understand. Who was it?
OLIVER. Good Lord!
ISOBEL (_in the same quiet voice_). The friend was left—with the body
of the poet—and all that great monument which the dead man had raised
for himself. The poet had no friends but this one; no relations of
whom he had ever spoken or who claimed him now. He was dead, and it
was left to his friend to see that he won now that immortality for
which he had given his life.... His friend betrayed him.
SEPTIMA. I say!
WILLIAM. I _won’t_ believe it! It’s monstrous!
MARION. I don’t understand.
ISOBEL (_wearily_). One can see the temptation. There he was, this
young man of talent, of great ambition, and there were these works of
genius lying at his feet, waiting to be picked up—and fathered by
him. I suppose that, like every other temptation, it came suddenly. He
writes out some of the verses, scribbled down anyhow by the poet in
his mad hurry, and sends them to a publisher; one can imagine the
publisher’s natural acceptance of the friend as the true author, the
friend’s awkwardness in undeceiving him, and then his sudden
determination to make the most of the opportunity given him.... Oh,
one can imagine many things—but what remains? Always and always this.
That Oliver Blayds was not a poet; that he did not write the works
attributed to him; and that he betrayed his friend. (_She stops and
then says in an ordinary matter-of-fact voice_) That was why I thought
that he ought not to be buried in the Abbey.
OLIVER. Good Lord!
WILLIAM (_sharply_). Is this true, Isobel?
ISOBEL. It isn’t the sort of story that I should make up.
MARION. I don’t understand. (_To WILLIAM_) What is it? I don’t
understand.
WILLIAM. Isobel is telling us that Oliver Blayds stole all his poetry
from another man.
MARION. Stole it!
WILLIAM. Passed it off as his own.
MARION (_firmly to ISOBEL_). Oh no, dear, you must be wrong. Why
should Grandfather want to steal anybody else’s poetry when he wrote
so beautifully himself?
SEPTIMA. That’s just the point, Mother. Aunt Isobel says that he
didn’t write anything himself.
MARION. But there are the books with his name on them!
ISOBEL. Stolen—from his friend.
MARION (_shocked_). Isobel, how can you? Your own father!
WILLIAM. I don’t believe it. I had the privilege of knowing Oliver
Blayds for nearly thirty years and I say that I don’t believe it.
ISOBEL. I knew him for some time too. He was my father.
WILLIAM. When did he tell you this?
OLIVER. It’s a dashed funny thing that——
WILLIAM. If you will allow me, Oliver. I want to get to the bottom of
this. When did he tell you?
ISOBEL. That last evening. His birthday.
WILLIAM. How? Why? Why should he tell you?
ISOBEL. He seemed frightened suddenly—of dying. I suppose he’d always
meant to tell somebody before he died.
MARION. Why didn’t you tell us before, dear?
Public-domain text, read in full here on John Shaqi.
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