Three Plays by Brieux: With a Preface by Bernard ShawBrieux, Eugène
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Three Plays by Brieux: With a Preface by Bernard Shaw
Brieux, Eugène
French drama -- Translations into English
LUCIE. Sent away unwillingly, if you like, coming to this place,
suddenly thrust into contact with all the sadness and the misery and
the vice of Paris! Think of her waiting all those months, in the midst
of the women there, while a poor little creature is growing into life
that she knows beforehand is condemned to all the risks and cruelty
suffered by children whom their mothers abandon! And when she is
torn with the torturing pain that I know so well, at that moment of
martyrdom when a woman feels death hovering over her bed and watching
jealously for mother and child, when the full horror of the sacred
mystery she has accomplished is on her, then she’ll only have strangers
round her! And if her poor eyes look round, like a victim’s, perhaps
for the last time, for a friendly glance, if she feels for a hand to
press, she will only see round her bed unknown men performing a duty
and women carrying on their trade. And then? Then she must resist her
highest instincts, stifle the cry of love that consoles all women for
what they have gone through, and say she doesn’t want her child—look
aside, and say: ‘Take him away! I don’t want to see him.’ That’s the
price for which she will be pardoned the crime of someone else! That’s
your justice! Justice! Social hypocrisy rather—that’s what you stand up
for. Nothing but that. And that’s why, if Annette stayed to bring up
her child here, she would be an object of reproach; whereas, if she is
confined secretly in Paris and gets rid of the baby, nobody will say
anything. Let’s be frank about it. If she had a lover, but no child,
she would be let off. It isn’t immorality that’s condemned, but having
children! You cry out for a higher birth rate, and at the same time you
say to women: ‘No children without marriage, and no marriage without a
dowry.’ Well, so long as you don’t change that, all your circulars and
your speeches will only succeed in arousing laughter of pity and of
rage!
BRIGNAC. Well, is it my fault?
LUCIE. No; it’s not your fault. It’s the fault of all of us, of our
prejudice, our silly vanity, our hypocrisy. But you stand up for it
all and justify it. You have the typical window dressing, middle class
virtues. You publicly preach the repopulation of France, and then find
it in your conscience to get rid of a child whose only fault is that
its parents had it without first going through a stupid ceremony, and
without the whole town being told that Monsieur X and Mademoiselle Y
were going to bed together! [_A pause_]. Go and make your speech. Go
and defend the morals of society. That’s about what you’re worth.
_Enter Madeleine._
MADELEINE. She’s not come back?
LUCIE. No. Haven’t you seen her?
MADELEINE. No.
BRIGNAC. Since you take it like that, then, you will kindly find
another home than my house for your sister from now onwards.
LUCIE. Ah, yes; say it outright! You long to get rid of her!
Public-domain text, read in full here on John Shaqi.
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