German drama -- Translations into English; Hebbel, Friedrich, 1813-1863 -- Translations into English
Offend no one, and bad men least of all. Where’s your father?
CLARA.
Gone to see the wood-cutter in the hills.
WOLFRAM.
I’ll ride out and look for him. I’ve already been at the mayor’s,
but didn’t find him at home. If I had, your brother would have
been here by this time. However, the secretary sent a messenger
at once. You’ll see him before night. (_Goes out._)
SCENE 4
CLARA (_alone_).
Now I ought to be glad. O God! And all I can think of is--“It’s
only you now.” And yet I feel as if I’m bound to think of
something soon that will put it all right again.
SCENE 5
SECRETARY (_entering_).
Good-day.
CLARA (_grasping chair as if falling_).
He! Oh, if only he hadn’t come back----
SEC.
Your father’s not at home?
CLARA.
No.
SEC.
I’ve brought good news. Your brother, Miss--Oh, Clara, I can’t
go on talking in this stiff way to you, with all the old tables
and cupboards and chairs around me; my old acquaintances, that
we played among when we were children. Good-day, you there!
(_Nodding to a cupboard._) How are you? You haven’t changed.--I
should think they’d put their heads together and laugh at me for
a fool if I don’t call you “Clara” as I used to.[20] If you don’t
like it, just think--“The poor chap’s dreaming, I’ll wake him
up--I’ll go up to him and show him (_with a toss of head_) I’m
not a little girl now”--that was your mark when you were eleven
(_pointing to a mark on the door_)--“but a proper grown-up, that
can reach the sugar when it’s put on the side-board.” Do you
remember? That was the spot, that was the stronghold, safe from
us, even when it stood unlocked. When the sugar was there, we
used to play at catching flies, because we couldn’t bear to let
them, flying about so merrily, get at what we couldn’t reach!
CLARA.
I thought people forgot all those things when they had to study
hundreds and thousands of books.
SEC.
They do forget! I wonder what don’t people forget over Justinian
and Gaius! Boys, that kick against the A B C so obstinately, know
why they do it. They have a sort of feeling that, if they leave
the spelling-book alone, they’ll never get at cross-purposes
with the Bible. It’s disgraceful how they tempt the innocent
souls with the red cock, and the basket of eggs, till they say
A of their own accord--and then there’s no holding them! They
tear down hill from A to Z, and on and on, till they are in the
midst of _Corpus Juris_ and realise to their horror what a desert
they’ve been enticed into by those curséd twenty-six letters,
which they first used in their play to make tasty, sweet-scented
words like “cherry” and “rose.”
CLARA.
And what happens then? (_Absently without interest._)
SEC.
Public-domain text, read in full here on John Shaqi.
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