Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; WasteGranville-Barker, Harley
General
Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; Waste
Granville-Barker, Harley
English drama
CANTELUPE. [_With sweet gravity._] I take politics very much to heart.
Yes, I know what you mean . . but that's the sort of remark that makes
people call you cynical. [HORSHAM _smiles as if at a compliment and
starts with_ CANTELUPE _towards the door_. CANTELUPE, _who would not
hurt his feelings, changes the subject_.] By the bye, I'm glad we met
this evening! Do you hear Aunt Mary wants to sell the Burford Holbein?
Can she?
HORSHAM. [_Taking as keen, but no keener, an interest in this than in
the difficulty he has just surmounted._] Yes, by the will she can, but
she mustn't. Dear me, I thought I'd put a stop to that foolishness. Well
now, we must take that matter up very seriously. . .
_They go out talking arm in arm._
THE FOURTH ACT
At TREBELL'S again; later, the same evening.
_His room is in darkness but for the flicker the fire makes and the
streaks of moonlight between the curtains. The door is open, though, and
you see the light of the lamp on the stairs. You hear his footstep too.
On his way he stops to draw back the curtains of the passage-way window;
the moonlight makes his face look very pale. Then he serves the curtains
of his own window the same; flings it open, moreover, and stands looking
out. Something below draws his attention. After leaning over the balcony
with a short_ "Hullo" _he goes quickly downstairs again. In a minute_
WEDGECROFT _comes up_. TREBELL _follows, pausing by the door a moment to
light up the room_. WEDGECROFT _is radiant_.
TREBELL. [_With a twist of his mouth._] Promised, has he?
WEDGECROFT. Suddenly broke out as we walked along, that he liked the
look of you and that men must stand by one another nowadays against
these women. Then he said good-night and walked away.
TREBELL. Back to Ireland and the thirteenth century.
WEDGECROFT. After to-morrow.
TREBELL. [_Taking all the meaning of to-morrow._] Yes. Are you in for
perjury, too?
WEDGECROFT. [_His thankfulness checked a little._] No . . not exactly.
TREBELL _walks away from him_.
TREBELL. It's a pity the truth isn't to be told, I think. I suppose the
verdict will be murder.
WEDGECROFT. They won't catch the man.
TREBELL. You don't mean . . me.
WEDGECROFT. No, no . . my dear fellow.
TREBELL. You might, you know. But nobody seems to see this thing as I
see it. If I were on that jury I'd say murder too and accuse . . so many
circumstances, Gilbert, that we should go home . . and look in the
cupboards. What a lumber of opinions we inherit and keep!
WEDGECROFT. [_Humouring him._] Ought we to burn the house down?
TREBELL. Rules and regulations for the preservation of rubbish are the
laws of England . . and I was adding to their number.
WEDGECROFT. And so you shall . . to the applause of a grateful country.
TREBELL. [_Studying his friend's kindly encouraging face._] Gilbert, it
is not so much that you're an incorrigible optimist . . but why do you
subdue your mind to flatter people into cheerfulness?
Public-domain text, read in full here on John Shaqi.
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