Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; WasteGranville-Barker, Harley
General
Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; Waste
Granville-Barker, Harley
English drama
TREBELL. That's another of your faults, Gilbert . . it's a comfort just
now to enumerate them. You're an anarchist . . a kingdom to yourself.
You make little treaties with Truth and with Beauty, and what can
disturb you? I'm a part of the machine I believe in. If my life as I've
made it is to be cut short . . the rest of me shall walk out of the
world and slam the door . . with the noise of a pistol shot.
WEDGECROFT. [_Concealing some uneasiness._] Then I'm glad it's not to be
cut short. You and your cabinet rank and your disestablishment bill!
TREBELL _starts to enjoy his secret_.
TREBELL. Yes . . our minds have been much relieved within the last half
hour, haven't they?
WEDGECROFT. I scribbled Horsham a note in a messenger office and sent it
as soon as O'Connell had left me.
TREBELL. He'd be glad to get that.
WEDGECROFT. He has been most kind about the whole thing.
TREBELL. Oh, he means well.
WEDGECROFT. [_Following up his fancied advantage._] But, my friend . .
suicide whilst of unsound mind would never have done . . The hackneyed
verdict hits the truth, you know.
TREBELL. You think so?
WEDGECROFT. I don't say there aren't excuses enough in this miserable
world, but fundamentally . . no sane person will destroy life.
TREBELL. [_His thoughts shifting their plane._] Was she so very mad? I'm
not thinking of her own death.
WEDGECROFT. Don't brood, Trebell. Your mind isn't healthy yet about her
and--
TREBELL. And my child.
_Even_ WEDGECROFT'S _kindness is at fault before the solemnity of this_.
WEDGECROFT. Is that how you're thinking of it?
TREBELL. How else? It's very inexplicable . . this sense of fatherhood.
[_The eyes of his mind travel down--what vista of possibilities. Then he
shakes himself free._] Let's drop the subject. To finish the list of
shortcomings, you're a bit of an artist too . . therefore I don't think
you'll understand.
WEDGECROFT. [_Successfully decoyed into argument._] Surely an artist is
a man who understands.
TREBELL. Everything about life, but not life itself. That's where art
fails a man.
WEDGECROFT. That's where everything but living fails a man. [_Drifting
into introspection himself._] Yes, it's true. I can talk cleverly and
I've written a book . . but I'm barren. [_Then the healthy mind
re-asserts itself._] No, it's not true. Our thoughts are children . .
and marry and intermarry. And we're peopling the world . . not badly.
TREBELL. Well . . either life is too little a thing to matter or it's so
big that such specks of it as we may be are of no account. These are two
points of view. And then one has to consider if death can't be sometimes
the last use made of life.
_There is a tone of menace in this which recalls_ WEDGECROFT _to the
present trouble_.
WEDGECROFT. I doubt the virtue of sacrifice . . or the use of it.
TREBELL. How else could I tell Horsham that my work matters? Does he
think so now? . . not he.
WEDGECROFT. You mean if they'd had to throw you over?
Public-domain text, read in full here on John Shaqi.
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