Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; WasteGranville-Barker, Harley
General
Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; Waste
Granville-Barker, Harley
English drama
TREBELL. You see, Fanny, as I said to Gilbert last night . . our lives
are our own and yet not our own. We understand living for others and
dying for others. The first is easy . . it's a way out of boredom. To
make the second popular we had to invent a belief in personal
resurrection. Do you think we shall ever understand dying in the sure
and certain hope that it really doesn't matter . . that God is
infinitely economical and wastes perhaps less of the power in us after
our death than men do while we live?
FRANCES. I want your promise, Henry.
TREBELL. You know I never make promises . . it's taking oneself too
seriously. Unless indeed one has the comic courage to break them too.
I've upset you very much with my troubles. Don't you think you'd better
go and finish dressing? [_She doesn't move._] My dear . . you don't
propose to hold my right hand so safely for years to come. Even so, I
still could jump out of a window.
FRANCES. I'll trust you, Henry.
_She looks into his eyes and he does not flinch. Then, with a final grip
she leaves him. When she is at the door he speaks more gently than
ever._
TREBELL. Your own life is sufficient unto itself, isn't it?
FRANCES. Oh yes. I can be pleasant to talk to and give good advice
through the years that remain. [_Instinctively she rectifies some little
untidiness in the room._] What fools they are to think they can run that
government without you!
TREBELL. Horsham will do his best. [_Then, as for the second time she
reaches the door._] Don't take away my razors, will you? I only use them
for shaving.
FRANCES. [_Almost blushing._] I half meant to . . I'm sorry. After all,
Henry, just because they are forgetting in personal feelings what's best
for the country . . it's your duty not to. You'll stand by and do what
you can, won't you?
TREBELL. [_His queer smile returning, in contrast to her seriousness._]
Disestablishment. It's a very interesting problem. I must think it out.
FRANCES. [_Really puzzled._] What do you mean?
_He gets up with a quick movement of strange strength, and faces her.
His smile changes into a graver gladness._
TREBELL. Something has happened . . in spite of me. My heart's clean
again. I'm ready for fresh adventures.
FRANCES. [_With a nod and answering gladness._] That's right.
_So she leaves him, her mind at rest. For a minute he does not move.
When his gaze narrows it falls on the heaps of letters. He carries them
carefully into_ WALTER KENT'S _room and arranges them as carefully on
his table. On his way out he stops for a moment; then with a sudden
movement bangs the door._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account