Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; WasteGranville-Barker, Harley
General
Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; Waste
Granville-Barker, Harley
English drama
MRS. VOYSEY. Bilious, perhaps! I quite understood you didn't care to
dine. But why not have taken your coat off? How foolish in this warm
room!
MR. GEORGE BOOTH. Thank you. I'm just going.
_He seizes the market basket. At that moment_ MRS. HUGH _appears_.
BEATRICE. Your shawl, mother. [_and she clasps it round_ MRS. VOYSEY'S
_shoulders_.]
MRS. VOYSEY. Thank you, Beatrice. I thought I had it on. [_then to_ MR.
BOOTH _who is now entangled in his comforter_.] A merry Christmas to
you.
BEATRICE. Good evening, Mr. Booth.
MR. GEORGE BOOTH. I beg your pardon. Good evening, Mrs. Hugh.
HONOR. [_with sudden inspiration, to the company in general._] Why
shouldn't I write in here . . now the table's cleared!
MR. GEORGE BOOTH. [_sternly, now he is safe by the door._] Will you see
me out, Edward?
EDWARD. Yes.
_He follows the old man and his basket, leaving the others to distribute
themselves about the room. It is a custom of the female members of the_
VOYSEY _family, especially about Christmas time, to return to the
dining room, when the table has been cleared and occupy themselves in
various ways which require space and untidiness. Sometimes as the
evening wears on they partake of cocoa, sometimes they abstain._
BEATRICE _has a little work-basket, containing a buttonless glove and
such things, which she is rectifying_. HONOR'S _writing is done with the
aid of an enormous blotting book, which bulges with apparently a year's
correspondence. She sheds its contents upon the end of the dining table
and spreads them abroad._ MRS. VOYSEY _settles to the fire, opens the
Nineteenth Century and is instantly absorbed in it_.
BEATRICE. Where's Emily?
HONOR. [_mysteriously._] Well, Beatrice, she's in the library talking to
Booth.
BEATRICE. Talking to her husband; good Heavens! I know she has taken my
scissors.
HONOR. I think she's telling him about you.
BEATRICE. What about me?
HONOR. You and Hugh.
BEATRICE. [_with a little movement of annoyance._] I suppose this is
Hugh's fault. It was carefully arranged no one was to be told till after
Christmas.
HONOR. Emily told me . . and Edward knows . . and Mother knows . .
BEATRICE. I warned Mother a year ago.
HONOR. Everyone seems to know but Booth . . so I thought he'd better be
told. I suggested one night so that he might have time to think over it
. . but Emily said that'd wake Alfred. Besides she's nearly always
asleep herself when he comes to bed.
BEATRICE. Why do they still have that baby in their room?
HONOR. Emily considers it her duty.
_At this moment_ EMILY _comes in, looking rather trodden upon_. HONOR
_concludes in the most audible of whispers_ . .
HONOR. Don't say anything . . it's my fault.
BEATRICE. [_fixing her with a severe forefinger._] Emily . . have you
taken my best scissors?
EMILY. [_timidly._] No, Beatrice.
HONOR. [_who is diving into the recesses of the blotting book._] Oh,
here they are! I must have taken them. I do apologise!
Public-domain text, read in full here on John Shaqi.
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