Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; WasteGranville-Barker, Harley
General
Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; Waste
Granville-Barker, Harley
English drama
_He wags his head at_ HUGH, _who writhes with irritation_.
HUGH. Why can't you leave them alone . . leave us alone?
BEATRICE. I'd state my case against Hugh, if I thought he'd retaliate.
HUGH. [_desperately rounding on his brother._] If I tell you, you won't
understand. You understand nothing! Beatrice is angry with me because I
won't prostitute my art to make money.
BOOTH. [_glancing at his wife._] Please don't use metaphors of that
sort.
BEATRICE. [_reasonably._] Yes, I think Hugh ought to earn more money.
BOOTH. [_quite pleased to be getting along at last._] Well, why doesn't
he?
HUGH. I don't want money.
BOOTH. You can't say you don't want money any more than you can say you
don't want bread.
BEATRICE. [_as she breaks off her cotton._] It's when one has known what
it is to be a little short of both . .
_Now the Major spreads himself and begins to be very wise, while_ HUGH,
_to whom this is more intolerable than all, can only clutch his hair_.
BOOTH. You know I never considered Art a very good profession for you,
Hugh. And you won't even stick to one department of it. It's a
profession that gets people into very bad habits, I consider. Couldn't
you take up something else? You could still do those wood-cuts in your
spare time to amuse yourself.
HUGH. [_commenting on this with two deliberate shouts of simulated
mirth._] Ha! Ha!
BOOTH. [_sublimely superior._] Well, it wouldn't much matter if you
didn't do them at all!
BEATRICE. [_subtly._] Booth, there speaks the true critic.
BOOTH. [_deprecating any title to omniscience._] Well, I don't pretend
to know much about Art but--
HUGH. It would matter to me. There speaks the artist.
BEATRICE. The arrogance of the artist!
HUGH. We have a right to be arrogant.
BEATRICE. Good workmen are humble.
HUGH. And look to their wages.
BEATRICE. Well, I'm only a workman.
_With that she breaks the contact of this quiet deadly hopeless little
quarrel by turning her head away. The Major, who has given it most
friendly attention, comments . ._
BOOTH. Of course! Quite so! I'm sure all that is a very interesting
difference of opinion.
MRS. VOYSEY _leaves her armchair for her favourite station at the dining
table_.
MRS. VOYSEY. Booth is the only one of you that I can hear at all
distinctly. But if you two foolish young people think you want to
separate . . try it. You'll soon come back to each other and be glad to.
People can't fight against Nature for long. And marriage is a natural
state . . once you're married.
BOOTH. [_with intense approval._] Quite right, Mother.
MRS. VOYSEY. I know.
_She resumes the Nineteenth Century. The Major, to the despair of
everybody, makes yet another start; trying oratory this time._
Public-domain text, read in full here on John Shaqi.
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