Three Plays: The Fiddler's House, The Land, Thomas MuskerryColum, Padraic
General
Three Plays: The Fiddler's House, The Land, Thomas Muskerry
Colum, Padraic
Irish drama -- 20th century
CRILLY
Albert, you don't know how these financial things work out.
Do you think would his brother settle?
ALBERT
Settle with whom?
CRILLY
Well ... with any of the ... any of the people that have ...
I don't know. It's a cursed town. If I had joined the police at your
age, I'd have a pension by this, and I mightn't care for any of them.
ALBERT
I wish I had a job and I'd wait on the pension.
CRILLY
Oh, you'll be all right. The grandfather is seeing about your
job.
ALBERT
If the grandparent gets me that job I'll want two new suits
at least.
CRILLY
'Pon my soul, Albert, I don't know what's to be done. (
_His mind wanders off)_ I suppose the abstracts have to go out in
the morning.
ALBERT
They have. And damn all the old man has done to them.
CRILLY
The Guardians hear that he's late in the mornings, Albert,
and some of them are beginning to question his fitness to check the
stores.
ALBERT
The old man ought to resign.
CRILLY
I suppose he ought. I'm not wishing for his resignation myself,
Albert. You know your mother regards it as a settled thing that he
should come and live with us.
ALBERT
The mother and Anna are preparing for the event.
CRILLY
How's that, Albert?
ALBERT
Mother has James Scollard in her eye for the new Master.
CRILLY
Right enough! Scollard would get it, too, and then he would
marry Anna.
ALBERT
That's the arrangement, I expect.
CRILLY
It mightn't be bad. Scollard mightn't want Nancy's money
under that arrangement. Still I don't like the idea of the old man
living in the house.
ALBERT
The mother would never think of letting him take himself and
his pension anywhere else.
CRILLY
I don't think she would.
ALBERT
I wouldn't be surprised if he did go somewhere else. I hear
he often goes up to that cottage in Stradrina.
CRILLY
What cottage, Albert?
ALBERT
Briar Cottage. I hear he sits down there, and talks of coming
to live in the place.
CRILLY
_(warningly)_ Albert, don't clap hands behind the bird. Take
my word, and say nothing about it.
ALBERT
All right.
CRILLY
We'd have no comfort in the house if your mother's mind was
distracted.
_Mrs. Crilly enters from corridor. She is a woman of forty, dressed
in a tailor-made costume. She has searching eyes. There is something
of hysteria about her mouth. She has been good-looking._
CRILLY
Good night, Marianne.
MRS. CRILLY Are you finishing the abstracts, Albert?
ALBERT
I'm working at them. It's a good job we didn't leave the old
man much latitude for making mistakes.
MRS. CRILLY
_(closing door)_ He'll have to resign.
CRILLY
Good God, Marianne. _(He rises)_
MRS. CRILLY
Well. Let him be sent away without a pension. Of course,
he can live with us the rest of his life and give us nothing for
keeping him.
CRILLY
I don't know what's in your mind at all, Marianne. _(He
crosses over to the cabinet, opens it, and fills out another glass
of whisky)_
ALBERT
Let the old man do what suits himself.
Public-domain text, read in full here on John Shaqi.
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