Three Voyages for the Discovery of a Northwest Passage from the Atlantic to the Pacific, and Narrative of an Attempt to Reach the North Pole, Volume 2Parry, William Edward, Sir
History
Three Voyages for the Discovery of a Northwest Passage from the Atlantic to the Pacific, and Narrative of an Attempt to Reach the North Pole, Volume 2
Parry, William Edward, Sir
Arctic regions; Northwest Passage; Parry, William Edward, Sir, 1790-1855
The next performance consists in looking steadfastly and gravely
forward, and repeating the words _t~ab=ak-tabak, k~eib=o-keibo,
k~e-b=ang-~e-n=u-t~o-~e~ek, kebang-enutoeek, ~am=at~am=a-amatama_, in
the order in which they are here placed, but each at least four times,
and always by a peculiar modulation of the voice, speaking them in pairs
as they are coupled above. The sound is made to proceed from the throat
in a way much resembling ventriloquism, to which art it is indeed an
approach. After the last _amatama_ Iligliuk always pointed with her
finger towards her body, and pronounced the word _angetkook,_ steadily
retaining her gravity for five or six seconds, and then bursting into a
loud laugh, in which she was joined by all the rest. The women sometimes
produce a much more guttural and unnatural sound, repeating principally
the word _=ikk~er~ee-ikkeree_, coupling them as before, and staring in
such a manner as to make their eyes appear ready to burst out of their
sockets with the exertion. Two or more of them will sometimes stand up
face to face, and with great quickness and regularity respond to each
other, keeping such exact time that the sound appears to come from one
throat instead of several. Very few of the females are possessed of this
accomplishment, which is called _pitkoo-she-r=ak-poke_, and it is not
uncommon to see several of the younger females practising it. A third
part of the game, distinguished by the word _keit=ik-poke_, consists
only in falling on each knee alternately--a piece of agility which they
perform with tolerable quickness, considering the bulky and awkward
nature of their dress.
The last kind of individual exhibition was still performed by Iligliuk,
to whom in this, as in almost everything else, the other women tacitly
acknowledged their inferiority, by quietly giving place to her on every
occasion. She now once more came forward, and letting her arms hang down
loosely and bending her body very much forward, shook herself with,
extreme violence, as if her whole frame had been strongly convulsed,
uttering at the same time, in a wild tone of voice, some of the
unnatural sounds before mentioned.
Public-domain text, read in full here on John Shaqi.
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