Appearances must be kept up. Men must _seem_ to be rich. Hypocrites can
easily impose upon those who are willing to be convinced. People must
now live in a certain style, inhabit handsome houses, give good dinners,
drink fine wines, and have a handsome equipage. Perhaps they are only
able to accomplish this by overreaching or by dishonesty. Everybody
wondered at the generosity and style of Redpath and Robson; but there
are hundreds, if not thousands, of Redpaths and Robsons now.
There is another class of people, not fraudulent, but extravagant;
though perhaps on the brink of becoming fraudulent. They live up to
their means, and often beyond them. They desire to be considered
"respectable people." They live according to the pernicious adage, "One
must do as others do." They do not consider whether they can afford to
live up to or beyond their means; but they think it necessary to secure
the "respect" of others. In doing so, they usually sacrifice their own
self-respect. They regard their dress, their establishments, their
manner of living, and their observance of fashion, as the sole tests of
respectability and rank. They make an appearance in the eyes of the
world; though it may be entirely hypocritical and false.
But they must not _seem_ poor! They must hide their poverty by every
effort. They spend their money before it is earned,--run into debt at
the grocer's, the baker's, the milliner's, and the butcher's. They must
entertain their fashionable "friends," at the expense of the
shopkeepers. And yet, when misfortunes overtake them, and when their
debts have become overwhelming, what becomes of the "friends"? They fly
away, and shun the man who is up to his ears in debt!
Yet poverty is more than half disarmed by those who have the moral
courage to say. "I can't afford it." Fair-weather friends are of no use
whatever, except as an indication of the depth of snobbery to which
human beings can descend. What is "a visiting connection"? It is not at
all calculated to elevate one in social, or even in business life.
Success mainly depends upon character, and the general esteem in which a
person is held. And if the attempt is made to snatch the reward of
success before it is earned, the half-formed footing may at once give
way, and the aspirant will fall, unlamented, into the open-mouthed
dragon of debt.
"Mrs. Grundy," in the play, is but an impersonation of the
conventionalism of the world. Custom, habit, fashion, use and wont, are
all represented in her. She may be a very vulgar and commonplace person,
but her power is nevertheless prodigious. We copy and imitate her in all
things. We are pinned to her apron-string. We are obedient at her
bidding. We are indolent and complaisant, and fear to provoke her
ill-word. "What will Mrs. Grundy say?" quells many a noble impulse,
hinders many a self-denying act.
Public-domain text, read in full here on John Shaqi.
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