We cannot follow in detail the story of the defense of Rome against
the French troops sent thither by the perfidious Louis Napoleon, and
their allies from Spain and Naples; yet it were well worth our while to
give an hour to deeds so brilliant, so noble, so picturesque,--to pass
from the Assembly Hall, where Mazzini, the indomitable dreamer, was the
dictator, to the fortifications where band after band of volunteers,
speaking many dialects, clothed in many costumes, were resolved to give
their lives for freedom! We should see Lucian Manara, a modern knight,
captain of a legion of brave men; we should see Mameli, the blond
poet-soldier, a mere lad; and the brothers Dandolo, and Medici and Nino
Bixio, and many another doomed to win renown by an early death there,
or there to begin a career which became a necessary strand in Italy’s
regeneration. But, most conspicuous of all, we should see Garibaldi,
for whom the legionaries and their leaders had such a feeling as the
Knights of the Round Table for Arthur their King. Call it loyalty, ’tis
not enough; call it filial affection, something remains unexpressed;
call it fascination, enthusiasm, sorcery,--each term helps the
definition, though none singly suffices. His was, indeed, that eldest
sorcery which binds the hearts of men to their hero,--that power which
reveals itself as an ideal stronger than danger or hardship or disease,
something to worship, to love, to die for.
During her five-and-twenty centuries, Rome had seen many strange
captains, but none more original than this, her latest defender, from
the pampas of South America. In person he was of middle stature; his
hair and beard were of a brown inclining to red; his eyes blue, more
noteworthy for their expression than for their color; his mouth, so
far as it could be seen under the moustache, was firm, but capable of
an irresistible smile. His soldiers, remembering his aspect in battle,
spoke of his face as “leonine;” women, caught perhaps by the charm
rather than the cut of his features, thought him beautiful. And as if
Nature had not done enough to mark her hero, he adopted on his return
to Europe the dress which he had worn in South America,--a small,
plumed cap, the grayish-white cloak or _poncho_ lined with red, the red
flannel shirt, the trousers and boots of the Uruguayan herdsmen and
guerrillas.
Public-domain text, read in full here on John Shaqi.
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