But how strangely classic are the musical instruments of the Croats! What visions of bucolic shepherds, of fauns and dancing satyrs; what memories of idyllic strains do they call up! Can it be merely that we are overlooking the same Arcadian kind of life that the Greek poet might have surveyed when he strolled forth beyond the walls of Syracuse? Is ‘the oaten stop and pastoral song’ the same, simply because the Croat shepherd of the Save-lands is in the same stage of civilization as was the rural Greek? Or are the pipes and lutes before us actually heirlooms from the very shepherds of whom Theocritus piped on the thymy pastures of Hybla?—the same with which Thyrsis and Corydon contended on the green banks of the Mincius? It really almost seemed so. I asked a countryman the name of his pipe, and to my amazement his reply was _Fistjela_. The man did not understand a word of Latin, but this seemed a very good attempt at _Fistula_, the pastoral pipe of the Romans, the very instrument which Thyrsis vowed to hang on the sacred pine. The old Pan’s pipe,[149] however, was a series of reeds waxed on to a stem in decreasing order, while this was a single reed, though more often a wooden pipe. It was also known as _Fuškola_.[150] Then there are the double pipes, the Roman _Tibiæ_. A slight development has indeed taken place. Instead of being held separate in the mouth, their ends are joined by a mouth-piece. The V has become a Y, that is all. They are also like the double pipes of classic times in being, as the ancients have it, ‘male and female,’ for the number of holes being uneven in the two branches—four in one and three in the other—one barrel is shriller than the other, and their blended notes may still be called, as they were by the Greeks, ‘married piping.’[151] Their name is _Svirala_, but in parts of Serbia _Diplé_, which is evidently Greek; and yet if their origin can be traced back to Hellenic times, it can be traced further back still to the double pipes of the Theban monument, on which the Egyptian ladies of Moses’ time are seen playing to their God Ptah.