Through Central Borneo; an Account of Two Years' Travel in the Land of Head-Hunters Between the Years 1913 and 1917Lumholtz, Carl
History
Through Central Borneo; an Account of Two Years' Travel in the Land of Head-Hunters Between the Years 1913 and 1917
Lumholtz, Carl
Borneo -- Description and travel; Ethnology -- Borneo; Natural history -- Borneo
This meeting was followed by friendly dealings with the Dayaks of the
kampongs above, who began to visit me. Silent and unobtrusive, they often
seated themselves before my tent, closely observing my movements,
especially at meal time, eager to get the tin that soon would be empty. A
disagreeable feature, however, was that the natives often brought
mosquitoes with them, and when they began to slap themselves on arms and
legs their absence would have been more acceptable than their company. But
each day they offered for sale objects of great interest and variety.
Several beautifully engraved wah-wah (long armed monkey) bones, serving as
handles for women's knives, are worthy of mention, one of which might be
termed exquisite in delicate execution of design. Admirable mats were made
by the tribe, but the designs proved perplexing to interpret, as knowledge
on the subject seems to be lost. The difficulty about an interpreter was
solved when the "onder's" clerk returned from a brief absence; he was an
intelligent and trustworthy Kayan who spoke Malay well, had been a
Christian for six years, but adopted Islam when he married a Bakompai
wife. Compared with the retiring "onder," who, though a very good man,
seemed to feel the limitations of his position, this Kahayan appeared more
like a man of the world.
I made a large collection of kapatongs (in Kahayan, hapatong), which here,
and in less degree on the Katingan, I found more abundant than in any
region of Borneo visited. These interesting objects are carved
representations of a good antoh, or of man, bird, or animal which good
antohs have entered, and which, therefore, are believed to protect their
owners. When the carving has been finished the blian invokes a beneficent
antoh to take it in possession, by dancing and singing one or two nights
and by smearing blood on it from the sacrifice of a fowl, pig, or a
water-buffalo--formerly often taken from a slave. As with a person, so with
a kapatong; nobody is permitted to step over it lest the good antoh which
resides in it should become frightened and flee.
Kapatongs are made from ironwood; they are of various kinds and serve many
purposes. The larger ones, which appear as crude statues in many kampongs
of Southern Borneo, more rarely on the Mahakam, are supposed to be
attendants on the souls of the dead and were briefly described in Chapter
XII.
Public-domain text, read in full here on John Shaqi.
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