Another matter demanding attention is the erection of a tall, rather slender pole of ironwood, called pantar. A gong or gutshi strung near the top signifies that the deceased was a person of wealth and prominence, while a wooden image of the rhinoceros hornbill occupies a lofty position on the pinnacle. On account of its ability to discern objects at a great distance, this bird is regarded as a good watchman to guard the sacrifice, whether it be a water-buffalo or other animal. The pantar itself simply means "in memoriam," as if enjoining: "Don't forget this man!" These primitive monuments sometimes last over a hundred years, and more than one may be raised for the same man. Should it prove impossible to secure a water-buffalo, an ordinary cow may serve as sacrifice. The family thereby presents the animal's liao (soul) to the liao of the deceased, and the blian by dancing and sacrifice calls the latter to come and eat. Not only this, but the liao of every animal, bird, and fish which the family eats from the time of his death until the tiwah feast is given to him. Account is kept by incised cross-cuts on certain posts, notifying him of the number. I was told that when a raja died similar marks of account were made on a slave. The jaws of pigs or other animals, hanging by scores in the houses, together with heads of fish and legs of birds, are similar accounts for the same purpose, and all close with the tiwah feast. A kapatong must be made, or, if the deceased were rich, perhaps two or three, which are inaugurated by the blian in the usual way, to be the ghost's attendants and guardians. The remaining duties to be performed are the making of a box or coffin for the bones to rest in, and the house in which it is to be deposited, either above or under the ground as may be decided. These tasks accomplished, no further responsibility devolves upon the widow or other members of the family.