Wild men of Borneo (the Ulu-Ots) Wind, lack of, in the tropics; in cave of Kong Beng; at Kuala Braui; calling the; on Lake Sembulo Wives, number permitted by various tribes; price paid for; disloyal Women: coaling of steamers by Japanese; song of the Kayan; manners of; few children of Dayak; the Malay; dress of; mourning garments of; frequent bathing of; photographing; cigarette smoking by; dancing of; blians; folk-lore tales sung by; restrictions imposed on; head ornament of; weapons carried by; occupations of; lot of, not an unhappy one; part taken by, on hunting trips; rules observed by widows; a visit from, at bathing time; face paint used by Malay; regarded as more alert than men; hair-dressing of; a Malay boatman's wife; antohs which cause injury to; polyandry among Duhoi; customs regarding childbirth; of the Bukats; of the Bukits; the Duhoi; Kayan; Katingan; of the Kenyahs; Long-Glat; of the Murungs; Oma-Suling; Penihing; Penyahbong; Punan; Saputan _Wonderful Tree, The_, folk-lore tale Wong Su, cook Woodcraftsmen, Dayaks able Wrestling, in the water; at great triennial feast Wristlets Year, the Katingan Yokohama, the bay of [Illustration (Map): THE DUTCH INDIES AND SURROUNDING COUNTRIES] [Illustration (Map): BORNEO (DOTTED SURFACE) AS COMPARED IN SIZE WITH THE BRITISH ISLES (WHITE) (After Wallace)] SAMPLES OF DAYAK TATUING The figure of a man represents a Lower Katingan, particularly a kapala at Tewang Rongkang, the only one I saw with tatu marks on the knees. These depict a fish of ancient times. On each thigh is the representation of a dog or possibly the nagah with a dog's head. The central tatu design represents a tree, the trunk of which rises from the navel; adjoining it above are two great oval designs stretching across the chest and depicting the wings of a fowl. The tree which is called garing, is a fabulous one that cannot be killed. This same pattern may be observed on the mats of the Kayans. Down the arms and over the shoulders are similar designs representing leaves of the areca palm. The border around the wrist is a representation of a bird called susulit. The cross on the hand represents the beak of this bird; the starlike figure is the eye of the hornbill. The globular tatu mark on the calf of the leg (h) is peculiar to Katingans, Ot-Danums, and other tribes. The design below, representing a certain fruit, was seen on a Katingan. The seven tatu marks to the right (a, b, c, d, e, f, g) represent the durian in various phases. The upper (a) to the left is a ripe durian, a design often observed in the tribes, one on each shoulder of a man. The next three (b, c, d) are young fruit, often seen one above each nipple. The next figure (e), usually observed on the upper arm (in front) represents 14 durians.