Sir Robert Walpole collected pictures by Guido, Vandyke, Claude, Rubens, Rembrandt, Salvator Rosa, Teniers, Paul Veronese, Wouvermans, Titian, Poussin, Snyders--in a word, by most of the best of the old masters, and housed them in his majestic Norfolk home, girt by a park whose trees testify to this day to his skill in planting. Horace Walpole, who had loved Houghton in his youth, himself wrote in after life a catalogue of these pictures and a description of the apartments in which they hung. The first Lord Orford slept with his fathers--they had been Walpoles of Walpole in Marshland since the time of Richard I--and his son reigned in his stead. Meanwhile his youngest son Horace, of whom it has been suspected on good grounds that he was not truly the son of the Prime Minister, lived that curious life in that curious house, Strawberry Hill, details of which are known to many because they have passed into English literature. He was the best letter-writer of modern times, or of nearly modern times, and his eccentricities are easily forgiven. He could afford them by virtue of two sinecures for life which his all-powerful father had secured for him; and he appears to have been perfectly happy building and altering his toy palace, collecting all sorts of curios, writing the most charming letters to his lady friends, writing for the press also (and childishly vain of his work), and hardly dreaming that he might succeed to the estate and the title. Even when, after the death of the second earl, the property fell to his eccentric son, Horace Walpole hardly seems to me to have realized that he might some day succeed to the title and the estate. He was growing to be an old man. His grief over the sale of the celebrated gallery was not that of an expectant heir.