Through Night to Light: A NovelSpielhagen, Friedrich
General
Through Night to Light: A Novel
Spielhagen, Friedrich
Fiction
One might have doubted at that moment which of the two was--not the
more beautiful, for Helen was indisputably the fairer--but the more
interesting. The harmony of most lovely features, the velvety softness
of a dark complexion, and the bluish blackness of her rich hair--all
this spoke in favor of Helen, and seemed to raise her to inapproachable
heights of beauty; but the expression in Sophie's face as she sat
there, given up to her music, now bending over the keys, and coaxing
out, as it were, the soft notes, and now looking up as if she was
following the escaping sounds in the air, would have been ample
compensation for him who finds the greatest beauty in the most
spiritual expression. As a favorable glance of sunlight may often pour
over a landscape, which has no charms of its own, a marvellous beauty,
so the noble, art-loving soul of the girl lighted up and made brilliant
her face, which was far from being really beautiful. There was
something of Beethoven's nature in it--the meteoric light which the
freed spirit of man casts through the vast night of sensuality into the
unbounded regions of eternal brightness. And, strangely enough, in the
same measure in which music heightened the expression in Sophie's face,
it softened the harshness in Helen's energetic beauty, by giving her
proud features a mildness which they never showed in ordinary life. The
harmony of sweet notes awakened there the slumbering genius, and put
here the demon of pride and ambition to sleep, so that the poetic
excitement benefitted both, though in quite opposite ways.
So it seemed to Oswald, while his eyes rested on the charming picture
of the two girls at the piano. Helen seemed to him almost a stranger;
he had to become once more familiar with her beauty; and yet, it did
not make the same overwhelming impression upon him as before. He
ascribed this partly to the unaccustomed surroundings, partly to the
attractive form of Sophie, which interrupted him in his devotion. He
did not know that since he had seen Helen last, the mirror of his soul
had become dim, and was no longer able to reflect a pure image purely.
In vain he tried to catch a glance from Helen. If Sophie was so
entirely given up to her music that she had really forgotten his
presence, Helen seemed at least to be in the same state of mind. She
did not raise her eyes from the music. Oswald rejoiced at it. He
concluded from it that his stormy greeting was, if not forgiven, still
also not yet forgotten.
Public-domain text, read in full here on John Shaqi.
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