Through One AdministrationBurnett, Frances Hodgson
General
Through One Administration
Burnett, Frances Hodgson
United States -- Social life and customs -- Fiction
"If there are many more dances, I am afraid--I cannot go through them--I
think--I am breaking down, and I must not--I must not! Tell me what to
do!"
He made a movement so that he stood directly before her and shielded her
from the observation of those near them. He realized the danger of the
moment.
"Look up at me!" he said. "Try to fix your eyes on me steadily. This
feeling will pass away directly. You will go soon and you must not break
down. Do not let yourself be afraid that you will."
She obeyed him like a child, trying to look at him steadily.
"Tell me one more dance will be enough," she said, "and say you will
dance it with me if you can."
"I will," he answered, "and you need not speak a word."
When the senator found himself alone in the carriage with her his sense
of the triumph achieved found its expression in words.
"Well," he said, "I think we have put an end to _that_ story."
"Yes," Bertha answered, "they will not say anything more about me. You
have saved me from that."
She leaned forward and looked out of the window. Carriages blocked the
street, and were driving up and driving away; policemen were opening and
shutting doors and calling names loudly; a few street-Arabs stood on the
pavement and looked with envious eyes at the bright dresses and
luxurious wraps of the party passing under the awning; the glare of
gas-light fell upon a pretty face upturned to its companions, and a
girl's laugh rang out on the night air. Bertha turned away. She looked
at Senator Blundel. Her own face had no color.
"I think," she said,--"I think I have been to my last ball."
"No--no," he answered. "That's nonsense. You will dance at many a one."
"I think," she said,--"I think this is the last."
Senator Blundel did not accompany her into the house when they reached
it. He left her at the door, almost wringing her small cold hand in his
stout warm one.
"Come!" he said. "You are tired now, and no wonder, but to-morrow you
will be better. You want sleep and you must have it. Go in, child, and
go to bed. Good-night. God bless you! You will--be better to-morrow."
She went through the hall slowly, intending to go to her room, but when
she reached the parlor she saw that it was lighted. She had given orders
that the servants should not sit up for her, and the house was silent
with the stillness of sleep. She turned at the parlor door and looked
in. A fire still burned in the grate, her own chair was drawn up before
it, and in the chair sat a figure, the sight of which caused her to
start forward with an exclamation,--a tall, slender, old figure, his
gray head bowed upon his hand.
"Papa!" she cried. "Can it be you, papa? What has happened?"
He rose rather slowly, and looked at her; it was evident that he had
been plunged in deep thought; his eyes were heavy, and he looked aged
and worn. He put out his hand, took hers, and drew her to him.
"My dear," he said. "My dear child!"
She stood quite still for a moment, looking up at him.
Public-domain text, read in full here on John Shaqi.
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