Through Our Unknown Southwest: The Wonderland of the United States—Little Known and Unappreciated—The Home of the Cliff Dweller and the Hopi, the Forest Ranger and the Navajo,—The Lure of the Painted DesertLaut, Agnes C.
History
Through Our Unknown Southwest: The Wonderland of the United States—Little Known and Unappreciated—The Home of the Cliff Dweller and the Hopi, the Forest Ranger and the Navajo,—The Lure of the Painted Desert
Laut, Agnes C.
Hopi Indians; Navajo Indians; Southwest, New -- Description and travel
SAN XAVIER DEL BAC MISSION, TUCSON, ARIZONA
It is the Desert. Incense and frankincense, fragrance of roses and resin
of pines, cedar smells smoking in the sunlight, scent the air. Sunrise
comes over the mountain rim in shafts of a chariot wheel; and the
mountains, engirting the Desert round and round, are themselves veiled
in a mist, intangible and shimmering as dreams--a mist shot with the
gold of sunlight; and the air is champagne, ozone, nectar. Except in the
dead heat of midsummer, snow shines opal from the mountain peaks; and in
the outline of yon Tucson Range, the figure of a giant can be seen lying
prone, face to sunlight, face to stars, face to the dews of heaven, as
the faces of god-like races ever are.
You wind round a juniper grove--"cedars of Lebanon," the Old Testament
would call it. There is the silver tinkle of a bell; and the flocks come
down to the watering pools, flocks led by maidens, as in the days of
Rachael and Jacob; and the shepherds--only they call them "herders,"
fight for first place round the water pool, as they did in the days of
Rachael and Jacob. Then, you come to a walled spring where date palms
shade the ground. And the maidens are there, "drawing water from the
well," carrying water in ollas on their heads, bronzed statues of
perfect poise and perfect grace, daughters of the Desert, hard lovers,
hard haters, veiled as all mysteries are veiled.
You turn but a spur in the mountains: you dip into a valley smoking with
the dews of the morning; or come up a mesa,--and a winged horseman spurs
past, hair tied back by red scarf, pantaloons of white linen, sash of
rainbow colors; and you are amid the dwellings of men. Strings of red
chile like garlands of huge red corals hang against the sun-baked brick
or clay. Curs come out and bark at the heels of your horse--that is why
the Oriental always called an enemy "a dog." Pottery makers look up from
their kiln fires of sheep manure, at you, the remote passerby. The
basket workers weave and weave like the Three Fates of Life. One old
woman is so aged and wizened and infirm that she must sit inside her
basket to carry out the pattern of what life is to her; and the sunlight
strikes back from the heat-baked walls in a glare that stabs the eye;
and you hear the tinkle of the bells from the watering pools.
Then, suddenly, for the first time, you see It.
Public-domain text, read in full here on John Shaqi.
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