Through Our Unknown Southwest: The Wonderland of the United States—Little Known and Unappreciated—The Home of the Cliff Dweller and the Hopi, the Forest Ranger and the Navajo,—The Lure of the Painted DesertLaut, Agnes C.
History
Through Our Unknown Southwest: The Wonderland of the United States—Little Known and Unappreciated—The Home of the Cliff Dweller and the Hopi, the Forest Ranger and the Navajo,—The Lure of the Painted Desert
Laut, Agnes C.
Hopi Indians; Navajo Indians; Southwest, New -- Description and travel
Set out early in the day, and you escape the heat. Sun up; the
yellow-throated meadowlarks lilting and tossing their liquid gold notes
straight to heaven; the desert flowers such a mass of gorgeous,
voluptuous bloom as dazzle the eye--cactus, blood-red and gold and
carmine, wild pink, scarlet poppy, desert geranium, little shy, dwarf,
miniature English daisies over which Tennyson's "Maud" trod--gorgeous
desert flowers voluptuous as oriental women--who said our Southwest was
an arid waste? It is our Sahara, our Morocco, our Algeria; and we have
not yet had sense enough to discover it in its beauty.
Red-shawled women pattered down the trail from the hillside pueblo of
Laguna, or marched back up from the yellow pools of the San Jose River,
jars of water on their heads; figures in bronze, they might have been,
or women of the Ganges. Then, the morning light strikes the steeples of
the twin-towered Spanish mission on the crest of the hill; and the dull
steeples of the adobe church glow pure mercury. And the light broods
over the stagnant pools of the yellow San Jose; and the turgid, muddy
river flows pure gold. And the light bathes the sandy, parched mesas and
the purple mountains girding the plains around in yellow walls flat
topped as if leveled by a trowel, with here and there in the distant
sky-line the opal gleam as of a snow peak immeasurably far away. It
dawns on you suddenly--this is a realm of pure light. How J. W. M.
Turner would have gone wild with joy over it--light, pure light, split
by the shimmering prism of the dusty air into rainbow colors,
transforming the sand-charged atmosphere into an unearthly morning gleam
shot with gold dust. You know now that the big globe cactus shines with
the glow of a Burma ruby here when it is dull in the Eastern
conservatory, because here is of the very essence of the sun. The wild
poppies shine on the desert sands like stars because, like the stars,
they draw their life from the sun. And the blue forget-me-nots are like
bits of heaven, because their faces shine with the light of an unclouded
sky from dawn to dark.
You see the countless herds of sheep and goats and cattle and horses
belonging to the Indian pueblos, herded, perhaps, by a little girl on
horseback, or a couple of boys lying among the sage brush; but the
figures come to your eye unreal and out of all perspective, the horses
and cattle, exaggerated by heat mirage, long and leggy like camels in
Egypt, the boys and girls lifted by the refraction of light clear off
earth altogether, unreal ghost figures, the bleating lambs and kids
enveloped in a purple, hazy heat veil--an unreal Dream World, an
Enchanted Mesa all of it, a Painted Desert made of lavender mist and
lilac light and heat haze shimmering and unreal as a poet's vision.
It adds to the glamour of the unreal as the sun mounts higher, and the
planed rampart mountain walls encircling the mesa begin to shimmer and
shift and lift from earth in mirage altogether.
Public-domain text, read in full here on John Shaqi.
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