Or you may skip the short trip out to Zuni off the main traveled highway, and the long trip south through the White Mountains--two weeks at the very shortest, and you should make it six--and leave Gallup, just at the State line of Arizona, drive north-west across the Navajo Reserve and Moki Land to the Coconino Forests and the Tusayan and the Kaibab, round the Grand Canyon up towards the State lines of California and Utah. If you can afford time only for one of these three trips, take the last one; for it leads you across the Painted Desert with all its wonder and mystery and lure of color and light and remoteness, with the tang of high, cool, lavender blooming mesas set like islands of rock in shifting seas of gaudy-colored sand, with the romance and the adventure and the movement of the most picturesque horsemen and herdsmen in America. It isn't America at all! You know that as soon as you go up over the first high mesa from the beaten highway and drop down over into another world, a world of shifting, shimmering distances and ocher-walled rampart rocks and sand ridges as red as any setting sun you ever saw. It isn't America at all! It's Arabia; and the Bedouins of our Painted Desert are these Navajo boys--a red scarf binding back the hair, the hair in a hard-knotted coil (not a braid), a red plush, or brilliant scarlet, or bright green shirt, with silver work belt, and khaki trousers or white cotton pantaloons slit to the knee, and moccasins, with more silver-work, and such silver bridles and harnessings as would put an Arab's Damascus tinsel to the blush. Go up to the top of one of the red sand knobs--you see these Navajo riders everywhere, coming out of their _hogan_ houses among the juniper groves, crossing the yellow plain, scouring down the dry arroyo beds, infinitesimal specks of color moving at swift pace across these seas of sand. Or else you see where at night and morning the water comes up through the arroyo bed in pools of silver, receding only during the heat of the day; and moving through the juniper groves, out from the ocher rocks that screen the desert like the wings of a theater, down the panting sand bed of the dead river, trot vast herds of sheep and goats, the young bleat--bleating till the air quivers--driven by little Navajo girls on horseback, born to the saddle, as the Canadian Cree is born to the canoe.