South America -- Description and travel; South America -- History
And even in the business section there are charming public squares. The
one nearest the quay, named for the Bishop Frei Caetano Brandão, whose
statue is in the center, is particularly interesting because facing it
is a fine old seventeenth-century cathedral of the Portuguese type,
massive and grave, an old marine arsenal now used as a hospital, and an
ancient fortification, called the _Castello_, which has been maintained
because of its historical associations. Then there is the Praca da
Independencia, where the Governor’s Palace is, and a quaint old
blue-walled City Hall, built in colonial times for a Portuguese
minister, the Marquis de Pombal, who dreamed of the permanent transfer
of the seat of the Lusitanian empire to the banks of the Amazon. In the
heart of the city, on its most elevated ground, is the celebrated Largo
da Polvora, now commonly called the Praca da Republica, after a superb
monument it contains—of marble surmounted by figures in bronze, symbolic
of the republic proclaimed when the Emperor Dom Pedro was dethroned in
the bloodless revolution of 1889. It is from this point that the four
principal avenues extend through the city in the cardinal directions.
“The Largo da Polvora,” Arthur Dias pays it the compliment of saying
(though this may, perhaps, be rather too enthusiastic), “shames our
Avenida da Liberdade in Lisbon; if they could place there the Arc de
Triomphe, it would rival the Champs-Elysées.” It may be that for most
its fascination lies not so much in its beauty as in its other
attractions, for it is the great social and amusement center of a
prosperous and pleasure-loving community, the thoroughfare along which
the best of its hotels and clubs and the fashionable cafés and concert
halls are located and many of its finest residences. It adds the lively
mundane touch that is needed to relieve the impressiveness of a region
where all nature is so overpoweringly beautiful. In the midst of the
gardens, which are separated by luxuriantly shaded streets, is the
Theatro da Paz, regarded as one of the best in Latin America, and the
Apollo Circus and Paz Carrousel. Near by is the handsome Paz Hotel, with
its popular café.
In the evenings, when the cool breeze sets in from the ocean, the whole
scene becomes animated. The brilliantly lighted avenues and driveways in
the park are thronged with the carriages and motor cars of the “four
hundred,” the sidewalks with crowds of pleasure-seekers, cosmopolitan
and well dressed. Then the cafés all have out their little zinc tables,
jammed with customers of both sexes (these cafés are not mere drinking
places, most of them, but a sort of peculiar combination of café, candy
store, and ice-cream saloon), dozens of orchestras play, the places of
amusement are in full blast, and music and gayety reign supreme.
II
Public-domain text, read in full here on John Shaqi.
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