Through stained glass: A NovelChamberlain, George Agnew
General
Through stained glass: A Novel
Chamberlain, George Agnew
Fathers and sons -- Fiction; Love stories
"Ever heard this sort of thing? 'Art is giving something for nothing.
Art is the ensnaring of beauty in an invisible mesh. Art is the ideal of
common things. Art is a mirage stolen from the heavens and trapped on a
bit of canvas or on a sheet of paper or in a lump of clay.' And so on
and so on."
Lewis smiled.
"As a matter of fact," continued Leighton, "those things are merely the
progeny of art. Art itself is work, and its chief end is expression with
repression. Remember that--with repression. Many an artist has missed
greatness by mistaking license for originality and producing debauch. I
don't want you to do that. I want you to stay here by yourself for a
while and work; not with your hands, necessarily, but with your mind.
Get your perspective of life now. Most of the pathetic
'what-might-have-beens' in the lives of men and women are due to
misplaced proportions that made them struggle greatly for little
things."
Lewis looked up and nodded.
"Dad, you've got a knack of saying things that are true in a way that
makes them visible. When you talk, you make me feel as though some one
had drawn back the screen from the skylight."
Leighton shrugged his shoulders. For a long moment he was silent; then
he said:
"A life like mine has no justification if it can't let in light, even
though it be through stained glass."
Lewis caught a wistful look in his father's eyes. He felt a sudden surge
of love such as had come to him long years before when he had first
sounded the depths of his father's tenderness. "There's no light in all
the world like cathedral light, Dad," he said with a slight tremble in
his voice, "and it shines through stained glass."
"Thanks, boy, thanks," said Leighton; then he smiled, and threw up his
head. Lewis had learned to know well that gesture of dismissal to a
mood.
"Just one more word," continued his father. "When you do get down to
working with your hands, don't forget repression. Classicism bears the
relation to art that religion does to the world's progress. It's a
drag-anchor--a sound measure of safety--despised when seas are calm, but
treasured against the hour of stress. Let's go and eat."
Lewis rose and put his hand on his father's arm.
"I'll not forget this talk, Dad," he said.
"I hope you won't, boy," said Leighton. "It's harder for me to talk to
you than you think. I'm driven and held by the knowledge that there are
only two ways in which a father can lose his son. One is by talking too
much, the other's by not talking enough. The old trouble of the devil
and the deep, blue sea; the frying-pan and the fire. Come, we've been
bandying the sublime; let's get down to the level of stomachs and smile.
The greatest thing about man is the range of his octaves."
CHAPTER XXVIII
For a week Lewis missed his father very much. Every time he came into
the flat its emptiness struck him, robbed him of gaiety, and made him
feel as though he walked in a dead man's shoes. He was very lonely.
Public-domain text, read in full here on John Shaqi.
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