Through stained glass: A NovelChamberlain, George Agnew
General
Through stained glass: A Novel
Chamberlain, George Agnew
Fathers and sons -- Fiction; Love stories
The music was doubly masked. It was masked behind the wings and behind
the dance. It did not seem interwoven with movement, but appeared more
as a soft background of sound to motion. So it remained through all the
first part of the dance which followed unerringly all the traditions of
Greek classicism, depending for expression entirely on swaying arms and
body.
"Who would have thought it!" whispered Lewis. "To do something well at a
range of two thousand years! That's more than art; it's genius."
"It's not genius," whispered back Lady Derl; "it's just body. What's
more, I think I recognize the body."
"Well," said Lewis, "what if you do? Play the game."
"So I'm right, eh? Oh, I'll play the game, and hate her less into the
bargain."
So suddenly that it startled, came a crashing chord. The dancer quivered
from head to foot, became very still, as though she listened to a call,
and then swirled into the rhythm of the music. The watchers caught their
breath and held it. The new movement was alien to anything the marbled
halls of Greece are supposed to have seen; yet it held a haunting
reminder, as though classicism had suddenly given birth to youth.
The music swelled and mounted. So did the dance. Wave followed on
ripple, sea on wave, and on the sea the foaming, far-flung billow. Limb
after limb, the whole supple body of the blind dancer came into play;
yet there was no visible tension. Never dead, never hard, but limp,--as
limp as flowing, rushing water,--she whirled and swayed through all the
emotions until, at the highest pitch of the mounting music, she fell
prone, riven by a single, throbbing sob. Down came the curtain. The
music faded away in a long, descending sweep.
Men shouted hoarsely, unaware of what they were crying out, and women
for once clapped to make a noise, and split their gloves. A youth, his
hair disordered and a hectic flush in his cheeks, rushed straight for
the stage, crying, "Who is she?"
Lewis stuck out his foot and tripped him. Great was his fall, and the
commotion thereof switched the emotions of the throng back to sanity.
Conventional, dogged clapping and shouts of "_Bis! Bis_!" were relied on
to bring the curtain up again, and relied on in vain. Once more Mrs.
Ruttle-Marter was surrounded and beseeched to use her best efforts. As
she acceded, a servant handed Lewis a scribbled note. "Come and take me
out of this. Vi," he read. He slipped out behind the servant.
In the cab they were silent for a long time. Lewis's eyes kept wandering
over Vi, conventional once more, and lazing in her corner.
"Well," she drawled at last, "what did you think of it?"
"Think of it?" said Lewis. "There were three times when I wanted to
shout, 'Hold that pose!' After that--well, after that my brain stopped
working."
"Do you mean it?" asked Vi.
"Mean what?"
"About wanting me to hold a pose."
"Yes," said Lewis; "of course. What of it?"
"What of it? Why, I will. When?"
"Do _you_ mean it?" asked Lewis.
Vi nodded.
Public-domain text, read in full here on John Shaqi.
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