Through the Dark Continent, Vol. 1 (of 2) : $b or, The sources of the Nile around the Great Lakes of Equatorial Africa and down the Livingstone River to the Atlantic OceanStanley, Henry M. (Henry Morton)
History
Through the Dark Continent, Vol. 1 (of 2) : $b or, The sources of the Nile around the Great Lakes of Equatorial Africa and down the Livingstone River to the Atlantic Ocean
Stanley, Henry M. (Henry Morton)
Africa, Central -- Description and travel; Stanley, Henry M. (Henry Morton), 1841-1904 -- Travel -- Africa, Central
“Regard the pagan’s hair,” said another.
“He had better not let the _Kabaka_ see him,” said a third.
“He is surely a pagan slave—worth about a goat,” remarked a fourth.
“Not he. I would not buy him for a ripe banana,” ventured a fifth.
I looked up at Saramba, and half fancied that he paled.
Poor Saramba! “As soon as they are gone, off goes that mop, and we will
dress you in white cloth,” said Safeni, the coxswain, compassionately.
But Baraka, one of the boatmen, an incorrigible scoffer, said, “What is
the use? If we give him cloth, will he wear it? No; he will roll it up
and tie it with a piece of string, and save it for his mammy, or sell it
in Usukuma for a goat.”
To my surprise the boatmen endeavoured to impress the fact on Saramba’s
mind that the _Kabaka_ was a special personal friend of theirs; that all
these cattle, goats, and fowls were the _Kabaka’s_ usual gifts to
Wangwana, and they endeavoured, with a reckless disregard for accuracy,
to enumerate fabulous instances of his generosity to a number of other
Safenis, Sarbokos, Barakas, and Zaidis, all natives, like themselves, of
Zanzibar. Let Englishmen never henceforth indulge in the illusion, or
lay the flattering unction to their self-love, that they are the only
people who have studied the art of “chaff.” The Zanzibaris are perfect
in the art, as the sordid barbarian Saramba discovered to his cost.
The ninth hour of the day approached. We had bathed, brushed, cleaned
ourselves, and were prepared externally and mentally for the memorable
hour when we should meet the Foremost Man of Equatorial Africa. Two of
the _Kabaka’s_ pages, clad in a costume semi-Kingwana and semi-Kiganda,
came to summon us—the Kingwana part being the long white shirt of
Zanzibar, folded with a belt or band about the loins, the Kiganda part
being the Sohari doti cloth depending from the right shoulder to the
feet. “The _Kabaka_ invites you to the burzah,” said they. Forthwith we
issue from our courtyard, five of the boat’s crew on each side of me
armed with Snider rifles. We reach a short broad street, at the end of
which is a hut. Here the _Kabaka_ is seated with a multitude of chiefs,
Wakungu[12] and Watongoleh, ranked from the throne in two opposing
kneeling or seated lines, the ends being closed in by drummers, guards,
executioners, pages, &c. &c. As we approached the nearest group, it
opened, and the drummers beat mighty sounds; Tori’s drumming being
conspicuous from its sharper beat. The Foremost Man of Equatorial Africa
rises and advances, and all the kneeling and seated lines rise—generals,
colonels, chiefs, cooks, butlers, pages, executioners, &c. &c.
The _Kabaka_, a tall, clean-faced, large-eyed, nervous-looking, thin
man, clad in a tarbush, black robe, with a white shirt belted with gold,
shook my hands warmly and impressively, and, bowing not ungracefully,
invited me to be seated on an iron stool. I waited for him to show the
example, and then I and all the others seated ourselves.
Public-domain text, read in full here on John Shaqi.
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