Through the Dark Continent, Vol. 1 (of 2) : $b or, The sources of the Nile around the Great Lakes of Equatorial Africa and down the Livingstone River to the Atlantic OceanStanley, Henry M. (Henry Morton)
History
Through the Dark Continent, Vol. 1 (of 2) : $b or, The sources of the Nile around the Great Lakes of Equatorial Africa and down the Livingstone River to the Atlantic Ocean
Stanley, Henry M. (Henry Morton)
Africa, Central -- Description and travel; Stanley, Henry M. (Henry Morton), 1841-1904 -- Travel -- Africa, Central
“Oh, form your troops in line from the entrance to the burzah down to
the gate of the outer court, and present arms, and as he comes within
the gate, let your drums and fifes sound a loud welcome.”
“Beautiful!” said Mtesa. “Hurry Tori, Chambarango, Sekebobo; form them
in two lines just as Stamlee says. Oh, that is beautiful! And shall we
fire guns, Stamlee?”
“No, not until you shake hands with him; and as he is a soldier, let the
guards fire, then they will not injure anyone.”
Mtesa’s flutter of excitement on this occasion made me think that there
must have been a somewhat similar scene before my landing at Usavara,
and that Tori must have been consulted frequently upon the form of
ceremony to be adopted.
What followed upon the arrival of the white man at the outer gate had
best be told as an interlude by the stranger himself:
“At two o’clock, the weather having cleared up, Mtesa sent a messenger
to inform me that he was ready to receive me. Notice is given in the
camp; every one puts on his finest clothes; at last we are ready; my
brave Soudanians look quite smart in their red jackets and white
trousers. I place myself at their heads; trumpets flourish and drums
sound as we follow an avenue from eighty-five to a hundred yards wide,
running direct north and south, and terminating at Mtesa’s palace.”...
“On entering this court, I am greeted with a frightful uproar; a
thousand instruments, each one more outlandish than the other, produce
the most discordant and deafening sounds. Mtesa’s bodyguard, carrying
guns, present arms on my appearance; the king is standing at the
entrance of the reception hall. I approach and bow to him _à la
turque_. He holds out his hand, which I press; I immediately perceive
a sunburnt European to the left of the king, a traveller, whom I
imagine to be Cameron. We exchange glances without speaking.
“Mtesa enters the reception room, and we follow him. It is a narrow
hall about 60 feet long by 15 feet wide, the ceiling of which, sloping
down at the entrance, is supported by a double row of wooden pillars
which divide the room into two aisles. The principal and central room
is unoccupied, and leads to the king’s throne; the two aisles are
filled with the great dignitaries and chief officers. At each pillar
stands one of the king’s guard, wearing a long red mantle, a white
turban ornamented with monkey skin, white trousers and black blouse
with a red band. All are armed with guns.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account