Through the Dark Continent, Vol. 1 (of 2) : $b or, The sources of the Nile around the Great Lakes of Equatorial Africa and down the Livingstone River to the Atlantic OceanStanley, Henry M. (Henry Morton)
History
Through the Dark Continent, Vol. 1 (of 2) : $b or, The sources of the Nile around the Great Lakes of Equatorial Africa and down the Livingstone River to the Atlantic Ocean
Stanley, Henry M. (Henry Morton)
Africa, Central -- Description and travel; Stanley, Henry M. (Henry Morton), 1841-1904 -- Travel -- Africa, Central
The first village we halted at on the coast of Uzongora was Makongo. It
nestles in a sheltered nook in a bay-like indentation of the lofty
mountain wall crowded with banana groves and huts scattered under their
impenetrable shades—with a strip of grey gravel beach gently sloping
from the water’s edge about 40 feet upward to where it meets the
prodigious luxury of the grove. There were about a dozen natives clad in
dingy goat-skins seated on the beach, sucking the potent maramba from
gourds when we came up, and without question we hauled our boat and two
canoes high and dry. To our greetings the natives responded readily and
civilly enough. With rather glazed eyes they offered us some of the
equatorial nectar. The voyage had been long on this day, and we were
tired, and it might be that we sighed for such cordial refreshing drink
as was now proferred to us. At any rate, we accepted their hospitable
gift, and sucked heartily, with bland approval of the delicacy of the
liquid, and cordial thanks for their courtesy. An observation for
longitude was taken, the natives looking on pleased and gratified. To
all our questions as to the names of the localities and islands in view
they replied like friends.
Sunset came. We bade each other good-night. At midnight there was a
fearful drumming heard, which kept us all awake from the sheer violence
of the sound. “Is anything wrong?” we demanded of Sentum and Sentageya.
“Oh, no!” they answered. Still the drumming sounded hoarsely through the
dark night, and the desire for sleep fled.
My men were all up before dawn, impatient for the day.
Instinct, startled by that ominous drumming, warned them that something
was wrong. I was still in my boat with drawn curtains, though able to
communicate with my people. At sight of the natives Safeni, the
coxswain, hailed me. As I was dressed, I arranged my guns and soon
stepped out, and my astonishment was great when I perceived that there
were between 200 and 300 natives, all in war costume and armed with
spears, and bows and arrows, and long-handled cleaver-like weapons, with
ample and long cane shields for defence, so close to us. For this
terrible looking body of men stood only about thirty paces off,
regarding us steadfastly. It was such a singular position, so unusual
and so strangely theatrical, that, feeling embarrassed, I hastened to
break the silence, and advanced towards a man whom I recognised as the
elder who had given me some native wine on the previous evening.
“What means this, my friend?” I asked. “Is anything wrong?”
He replied rapidly, but briefly and sternly, in the Kinyambu language,
which as I did not understand, I called the Mtongoleh Sentum to
translate for me.
“What do you mean by drawing your canoes on our beach?” I was told he
asked.
Public-domain text, read in full here on John Shaqi.
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