Through the Dark Continent, Vol. 2 (of 2) : $b or, The sources of the Nile around the Great Lakes of Equatorial Africa and down the Livingstone River to the Atlantic OceanStanley, Henry M. (Henry Morton)
History
Through the Dark Continent, Vol. 2 (of 2) : $b or, The sources of the Nile around the Great Lakes of Equatorial Africa and down the Livingstone River to the Atlantic Ocean
Stanley, Henry M. (Henry Morton)
Africa, Central -- Description and travel; Stanley, Henry M. (Henry Morton), 1841-1904 -- Travel -- Africa, Central
Their blood is up now. It is a murderous world, and we feel for the
first time that we hate the filthy, vulturous ghouls who inhabit it. We
therefore lift our anchors, and pursue them up-stream along the right
bank, until rounding a point we see their villages. We make straight for
the banks, and continue the fight in the village streets with those who
have landed, hunt them out into the woods, and there only sound the
retreat, having returned the daring cannibals the compliment of a visit.
While mustering my people for re-embarkation, one of the men came
forward and said that in the principal village there was a “Meskiti,” a
“pembé”—a church, or temple, of ivory—and that ivory was “as abundant as
fuel.” In a few moments I stood before the ivory temple, which was
merely a large circular roof supported by thirty-three tusks of ivory,
erected over an idol 4 feet high, painted with camwood dye, a bright
vermilion, with black eyes and beard and hair. The figure was very rude,
still it was an unmistakable likeness of a man. The tusks being wanted
by the Wangwana, they received permission to convey them into the
canoes. One hundred other pieces of ivory were collected, in the shape
of log wedges, long ivory war-horns, ivory pestles to pound cassava into
meal and herbs for spinach, ivory armlets and balls, and ivory mallets
to beat the fig-bark into cloth.
[Illustration: THE FIGHT BELOW THE CONFLUENCE OF THE ARUWIMI AND THE
LIVINGSTONE RIVERS.]
The stores of beautifully carved paddles, 10 feet in length, some of
which were iron-pointed, the enormous six-feet-long spears, which were
designed more for ornament than use, the splendid long knives, like
Persian kummars, and bright iron-mounted sheaths with broad belts of red
buffalo and antelope-hide, barbed spears, from the light assegai to the
heavy double-handed sword-spear, the tweezers, hammers, prickers, hole-
burners, hairpins, fishhooks, arm and leg-rings of iron and copper, iron
beads and wrist-bands, iron bells, axes, war-hatchets, adzes, hoes,
dibbers, &c., proved the people on the banks of this river to be clever,
intelligent, and more advanced in the arts than any hitherto observed
since we commenced our descent of the Livingstone. The architecture of
their huts, however, was the same, except the conical structure they had
erected over their idol. Their canoes were much larger than those of the
Mwana Ntaba, above the Stanley Falls, which had crocodiles and lizards
carved on them. Their skull-caps of basket-work, leopard, civet, and
monkey skins, were similar to those that we had observed in Uregga.
Their shields were like those of the Wariwa. There were various
specimens of African wood-carving in great and small idols, stools of
ingenious pattern, double benches, walking-staffs, spear-staffs, flutes,
grain-mortars, mallets, drums, clubs, troughs, scoops and canoe-balers,
paddles, porridge spoons, &c. Gourds also exhibited taste in
ornamentation.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account