Through the Dark Continent, Vol. 2 (of 2) : $b or, The sources of the Nile around the Great Lakes of Equatorial Africa and down the Livingstone River to the Atlantic OceanStanley, Henry M. (Henry Morton)
History
Through the Dark Continent, Vol. 2 (of 2) : $b or, The sources of the Nile around the Great Lakes of Equatorial Africa and down the Livingstone River to the Atlantic Ocean
Stanley, Henry M. (Henry Morton)
Africa, Central -- Description and travel; Stanley, Henry M. (Henry Morton), 1841-1904 -- Travel -- Africa, Central
About 9 A.M. the first canoe arrived, and its occupants received warm
and hearty welcome. Soon others arrived, while the big market-drum
continued to hasten the natives from both banks—from Rubunga and Urangi
on the left, and Gunji and Upoto on the right. In light, swift, elegant
canoes, of the caique pattern, the people brought fresh and dried fish,
snails, oysters, mussels, dried dogs’-meat, live dogs and goats,
bananas, plantains, robes of grass cloth, cassava tubers, flour and
bread of the consistence of sailor’s “duff,” spears, knives, axes,
hatchets, bells, iron bracelets and girdles, in fact everything that is
saleable or purchasable on the shores of the Livingstone. The knives
were singular specimens of the African smith’s art, being principally of
a waving, sickle-shaped pattern, while the principal men carried brass-
handled weapons, 18 inches long, double-edged, and rather wide-pointed,
with two blood channels along the centre of the broad blade, while near
the hilt the blade was pierced by two quarter-circular holes, while the
top of the haft was ornamented with the fur of the otter.
The aborigines dress their hair with an art peculiar to the Warua and
Waguha, which consists in wearing it in tufts on the back of the head,
and fastening it with elegantly shaped iron hairpins—a fashion which
also obtains among many kitchen maids in England. Tattooing is carried
to excess, every portion of the skin bearing punctured marks, from the
roots of the hair down to the knees. Their breasts are like hieroglyphic
parchment charts, marked with _raised_ figures, ledges, squares,
circles, wavy lines, tuberose knots, rosettes, and every conceivable
design. No colouring substance had been introduced into these incisions
and punctures; the cuticle had simply been tortured and irritated by the
injection of some irritants or air. Indeed, some of the glossy
tubercules, which contained air, were as large as hens’ eggs. As many as
six thin ledges marked the foreheads from temple to temple, as many ran
down each cheek, while from lower eyelid to base of septum curved wavy
lines; the chin showed rosettes, the neck seemed goitrous with the large
vesicular protuberances, while the front parts of their bodies afforded
broad fields upon which the native artist had displayed the exuberant
fertility of his genius. To such an extent is this fashion carried that
the people are hideously deformed, many of them having quite unnatural
features and necks.
[Illustration: KNIVES, RUBUNGA.]
To add to the atrocious bad taste of these aborigines, their necklaces
consisted of human, gorilla, and crocodile teeth, in such quantity in
many cases that little or nothing could be seen of the neck. A few
possessed polished boars’ tusks, with the points made to meet from each
side.
Public-domain text, read in full here on John Shaqi.
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