Through the Land of the SerbDurham, M. E. (Mary Edith)
History
Through the Land of the Serb
Durham, M. E. (Mary Edith)
Montenegro -- Description and travel; Serbia -- Description and travel
But we must leave the bazaar, though many days do not exhaust its
interests; leave the butchers' quarter, a harmony in pinks and
blood-red, where the dogs lap red puddles, the butcher wipes a wet knife
across his thigh, and the people run about with little gobbets of mutton
for dinner, a fiercely picturesque place sicklied with the smell of
blood; leave the "Petticoat Lane" of Skodra, where the cast-off finery
of Albanian ladies and the trappings of beauty are displayed alongside
heaps of the most hopeless rags. Aged crones as antique as their wares
squat upon the ground. The sunlight blazes on the gold stitchery till it
sparkles with its pristine splendour; the hag in charge of it,
Atropos-like, points out its beauties with a large pair of shears, while
Lachesis spins a woollen thread alongside. I vow they are the Fates
themselves selling the garments of their victims.
By the afternoon the crowds of country-folk are already reloading the
pack-animals, decked with blue bead headstalls and amulets to keep off
the evil eye, that await them at the entrance of the bazaar, where the
gipsy smiths and tinkers work, half stripped, a-ripple with tough
muscle, under little shanties made of sticks and flattened-out petroleum
cans. How the land got on before the petroleum can was introduced it is
hard to imagine. In the hands of the gipsies it is the raw material from
which almost everything is made.
The peasants load their beasts--they are adepts at pack-saddling and you
rarely see a sore back--and trail slowly across the plains towards
their mountain homes. The bazaar is shut up, darkness comes on fast, and
belated foot passengers pick their way with lanterns.
Night in Skodra is uncanny. The half-dozen tiny oil lamps do not light
it at all. When there is no moon, the darkness is impenetrable and
absolute, save perhaps for a long streak of light from the door-chink of
the next shop and the lighted windows of the mosque opposite. The black
silhouettes of praying figures rise and fall within them, but the mosque
itself is swallowed up in the surrounding blackness. A spark appears on
the roadway, someone passes with a lantern and disappears. The street is
dead still till a sword clanks and the patrol marches past. The lights
are extinguished in the mosque. The darkness is dense and dead, and
there is no sound. It is only nine o'clock, but all Skodra seems asleep.
Public-domain text, read in full here on John Shaqi.
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