In this store there was an array of another garment which my untutored
eye took to be men’s undervests having intricate fretwork at the neck and
on the short sleeves and under the fretwork what I thought to be blue
and pink blotting-paper. On enquiring the correctness of my surmise,
young Mr Coleman, who was showing me round, said in a rather loud tone,
half-scornful at ignorance and half-pitiful, “What! Men’s undervests!
Why, they are ladies’ chemises, with insertion. What you call fretwork,
as though it were wood carved, is embroidery. Did anyone ever hear of
embroidered men’s undervests!” And he laughed. After a pause he added,
“Aren’t you married?” “No.” His rejoinder was merely “Oh!” I learnt he
was.
Naturally I wondered what female form was decorated with such trappings
and was told that the belles from villages miles around were particularly
partial to this adornment, worn without anything over it; whereas in more
civilised lands—so Mr Coleman informed me in a confidential, fatherly
way—a dress covered the artistic production.
I always try to understand a subject in all its bearings, but you who may
regard me as woefully deficient in knowledge on this topic please bear in
mind that I have just come down from country where fashions and styles
and manners of dress are much simpler and approximate—in fact, in many
cases have not even attained—to the Garden of Eden stage.
The large number of rat-traps for sale led me to enquire whether there
was a plague of the rodents. I was told No, but that the folks of the
neighbourhood esteemed the vermin as an article of diet, properly cooked.
The traps were used to secure the delicacy. My boy Oje informs me his
people—the non-Moslem Yorubas of Ibadan—also enjoy the dish of rat, but
he made clear that they would not demean themselves to eat the house
variety, as the Hausas at Baro do, instead catching the field rat,
“because he chop (feeds) on corn and be big and good past the other.”
Oje never misses an opportunity to give reasons why his tribesmen and
tribeswomen are superior to all the coloured race. He has a bump of local
patriotism fully developed.
After looking over the excellent Railway Institute—a great boon to the
employees—closer examination than had been practicable the previous
evening was given to the Niger Company bungalow for staff quarters. It is
built of cement blocks, with an overhanging verandah of wood and a roof
of tiles, which has the immense advantage over iron or tin in that rest
is not disturbed at night during the wet season, as, at the most, the
rain merely purrs on the tiles. Under them is a wooden ceiling, giving
coolness, and corresponding effect is obtained on the hottest day by
use of cement blocks for the walls. The cement came out in barrels and
the blocks were made by a Cyclops hand machine on the spot. When the
railway authorities saw the bungalow a similar block-making machine was
immediately ordered for their own purpose.
Public-domain text, read in full here on John Shaqi.
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